Throughout the park sports of all kinds had been prepared. An immense crowd, from Paris and the suburbs, took part in the festival, which was most gay and animated. The arrangements were novel and far exceeded general expectations." At Saint Cloud, Sunday, April 1, 1810, when the civil marriage was celebrated, the weather was pleasant, while in Paris the streets were flooded by a heavy rain. The next day, that of the religious marriage, it rained at Saint Cloud, but the weather in Paris was magnificent, so that nothing was lost of the magnificence of the procession or of the brilliancy of the illuminations. The Emperor's good fortune, it was said, had twice triumphed over the equinoctial storms. In the ever-flattering _Moniteur_ it was said: "April 2 had been chosen for Their Majesties' entrance into the capital and the wedding rites. One strange circumstance aroused universal attention and called forth much favorable comment. A tempest had raged almost all of the previous night.... It was hence natural to suppose that all the preparations which for a month had excited general interest would have to be kept until a more favorable day; but such was not the case, and what has often happened occurred once more. The agreeable temperature which the sunshine produced was the more remarkable because it lasted only while the festivities were going on, beginning and ending with them, and never was one more strongly reminded of the two familiar lines of Virgil when, recalling the tempest in the night and the calm of the day appointed for a great entertainment, he represents the heavens under the divided control of Augustus and Jupiter:-- "'Nocte pluit totâ, redeunt spectacula mane, Divisum imperium cum Jove Cæsar habet.'" XIII. THE ENTRANCE INTO PARIS. Monday, April 2, 1810, as soon as day began to break, Paris and all the country round about set forth towards the Saint Cloud road. From eight in the morning the windows were filled with women. Everywhere scaffolding had been put up; fences, roofs, and trees were crowded with numberless spectators. At the base of the side openings of the great Arc de Triomphe de l'Étoile, steps had been set in the form of an amphitheatre, where a great many persons had taken their place by invitation of the Prefect of the Seine. Of the arch itself, which was to be built in stone, only the bases had been built to a height of about twenty feet, but the rest of the structure was raised in canvas over a framework for the Emperor's formal entry into Paris. The speed with which the work had been done seemed magical; nearly five thousand laborers had been employed, and the temporary structure, imitating the real one, had been finished in less than twenty days. At the summit was this inscription: "To Napoleon and Marie Louise, the city of Paris." The top of the arch, where the vaulting started, was decorated with bas-reliefs, and with sunk panels in the middle of which were eagles.