The two men presented the greatest possible contrast--Harry Kaperton
had elegantly flowing whiskers, a round young face that expressed facile
excitement at a possible disturbance, and sporting garb of tremendous
emphasis. Elim's face, expressing little of the tumult within, harsh and
dark and dogged, was entirely appropriate to his somber greenish-black
dress. Kaperton gestured toward the bottle, and they took a second
drink, then a third.
Kaperton's face flushed, he grew increasingly voluble, but Elim
Meikeljohn was silent; the liquor made no apparent impression upon him.
He sat across the table from the other with his legs extended straight
before him. They emptied the decanter of spirits and turned to sherry,
anything that was left. Kaperton apologized profoundly for the depleted
state of his cellar--knowing that he was leaving, he had invited a party
of men to his room the night before. He was tremendously sorry that Elim
had been overlooked--the truth being that no one had known what a good
companion Elim was.
It seemed to Elim Meikeljohn, drinking sherry, that the night before he
had not existed at all. He did not analyze his new being, his surprising
potations; he was proceeding without a cautious ordering of his steps.
It was neither a celebration nor a protest, but instinctive, like the
indiscriminate gulping of a man who has been swimming under the water.
“Why,” Kaperton gasped, “you've got a head like a cannon ball.”
He rose and wandered unsteadily about, but Elim sat motionless, silent,
drinking. He was conscious now of a drumming in his ears like distant
martial music, a confused echo like the beat of countless feet. He
tilted his glass and was surprised to find it empty.
“It's all gone,” Kaperton said dully.
He was as limp as an empty doll, Elim thought contemptuously. He, Elim,
felt like hickory, like iron; his mind was clear, vindicative. He rose,
sweeping back the hair from his high austere brow. Kaperton had slid
forward in his chair with hanging open hands and mouth.
The drumming in Elim's ears grew louder, a hum of voices was added to
it, and it grew nearer, actual. A crowd of men was entering the boarding
house, carrying about them a pressure of excited exclamations and a more
subtle disturbance. Elim Meikeljohn left Kaperton and went out into the
hall. An ascending man met him.
“War!” he cried. “The damned rebels have assaulted and taken Sumter!
Lincoln has called for fifty thousand volunteers!” He hurried past and
left Elim grasping the handrail of the stair.
War! The word carried an overwhelming significance to his mind dominated
by the intangible drumming, to his newly released freedom. War upon
oppression, upon the criminal slaveholders of the South! He descended
the stairs, pausing above the small agitated throng in the hall.
A passionate elation swept over him. He held his long arms upward and
out.
Public-domain text, read in full here on John Shaqi.
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