Elim, carrying the cake and bottle, followed over a grassy road between
tangles of blackberry bushes. On either hand neglected fields held
a sparse tangle of last year's weeds; beyond, trees closed in the
perspective. The sun had passed the zenith, and the shadows of walnut
trees fell across the road. Elim's face was grim, a dark tide rose about
him, enveloping his heart, bothering his vision. He wanted to address
something final to the slim girl in black before him, something now,
before she was forever lost in the gabble of her relatives; but he could
think of nothing appropriate, expressive of the tumult within him. His
misery deepened with every step, grew into a bitterness of rebellion
that almost forced an incoherent reckless speech. Rosemary Roselle
didn't turn, she didn't linger, there were a great many things that she
might say. The colored woman was positively hurrying forward. A great
loneliness swept over him. He had not, he thought drearily, been made
for joy.
“It's queer there's no one about,” Rosemary Roselle observed. They
reached the imposing pillars of an entrance--the wooden gate was
chained, and they were obliged to turn aside and search for an opening
in a great mock-orange hedge. Before them a wide sweep of lawn led up
to a formal dark façade; a tanbark path was washed, the grass ragged and
uncut. Involuntarily they quickened their pace.
Elim saw that towering brown pillars rose to the roof of the dwelling
and that low wings extended on either hand. Before the portico a stiffly
formal garden lay in withered neglect.
The flower beds, circled with masoned rims and built up like wired
bouquets, held only twisted and broken stems.
A faint odor of wet plaster and dead vegetation rose to meet them. On
the towering wall of the house every window was tightly shuttered. The
place bore a silent and melancholy air of desertion.
The girl gave a dismayed gasp. Elim hastily placed his load on the steps
and, mounting, beat upon the door. Only a dull echo answered. Dust fell
from the paneling upon his head.
“Maybe they have shut up the front for protection,” he suggested. He
made his way to the rear; all was closed. Through the low limbs of apple
trees he could see a double file of small sad brick quarters for the
slaves. They, too, were empty. The place was without a living being. He
stood, undecided, when suddenly he heard Rosemary Roselle calling with
an acute note of fear.
He ran through the binding grass back to the garden.
“Elim Meikeljohn!” She stumbled forward to meet him. “Oh, Elim,” she
cried; “there's no one in the world----” A sob choked her utterance.
He fell on his knees before her:
“There's always me.”
She sank in a fragrant heap into his arms.
Elim Meikeljohn laughed over her shoulder at his entire worldly goods on
the steps--the fragmentary fruit cake and a bottle of champagne.
Here they are lost on the dimming mirror of the past.
THE THRUSH IN THE HEDGE
I
Public-domain text, read in full here on John Shaqi.
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