It seemed incredible that he should actually be seated in the driver's
place on the stage, swinging the heavy whip out over a team trotting
briskly into the early morning; but there he was. There were no
passengers, and the stage rode roughly over a small bridge of loose
boards beyond the village. He pulled the horses into a walk on the
mountain beyond, and was soon skirting the Gait farm, with its broad
fields, where he had lived as a mere boy.
David slipped his hand under the leather seat and felt the smooth handle
of the revolver. Then, on an even reach, he wrapped the reins about
the whipstock and publicly filled and lighted his clay pipe. The smoke
drifted back in a fragrant cloud; the stage moved forward steadily and
easily; folded in momentary forgetfulness, lifted by a feeling of mature
responsibility, he was almost happy. But he swung down the mountain
beyond his familiar valley, crossed a smaller ridge, and turned into a
stony sweep rising on the left.
It was Elbow Barren. In an instant a tide of bitterness, of passionate
regret, swept over him. He saw the Hatburns' house, a rectangular bleak
structure crowning a gray prominence, with the tender green of young
pole beans on one hand and a disorderly barn on the other, and a blue
plume of smoke rising from an unsteady stone chimney against an end of
the dwelling. No one was visible.
Hot tears filled his eyes as the stage rolled along past the moldy ditch
into which Allen had fallen. The mangy curs! His grip tightened on the
reins and the team broke into a clattering trot, speedily leaving the
Barren behind. But the day had been robbed of its sparkle, his position
of its pleasurable pride. He saw again his father's body on the earthen
floor of the stable, the bridle in his stiff fingers; Allen carried into
the house. And he, David Kinemon, had had to step back, like a coward or
a woman, and let the Hatburns triumph.
The stage drew up before the Beaulings post-office in the middle of the
afternoon. David delivered the mail bags, and then led the team back
to a stable on the grassy verge of the houses clustered at the end
of tracks laid precariously over a green plain to a boxlike station.
Beaulings had a short row of unpainted two-story structures, the single
street cut into deep muddy scars; stores with small dusty windows;
eating houses elevated on piles; an insignificant mission chapel with
a tar-papered roof; and a number of obviously masked depots for the
illicit sale of liquor.
A hotel, neatly painted white and green, stood detached from the main
activity. There, washing his face in a tin basin on a back porch, David
had his fried supper, sat for a while outside in the gathering dusk,
gazing at the crude-oil flares, the passing dark figures beyond, the
still obscured immensity of mountain and forest. And then he went up to
a pine sealed room, like the heated interior of a packing box, where he
partly undressed for bed.
VI
Public-domain text, read in full here on John Shaqi.
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