Even so must Mr Stodham’s patriotism, or that of _Land of our Fathers_,
appear to Higgs. His patriotism is more like the ‘Elephant and Castle’
on a Saturday night than those trees. Both are good, as they say at
Cambridge.” And he went out, muttering towards the trees in the fog:
“‘Live you? or are you aught
That man may question? You seem to understand me,
By each at once her choppy fingers laying
Upon her skinny lips: you should be women,
And yet your beards forbid me to interpret
That you are so.’”
For some time we were all silent, until Ann said: “Hark.” “What is it?
another Ripper murder?” said Higgs. “Oh, shut up, Higgs,” said Philip
looking at Ann. “Hark,” said Ann again. It was horrible. Somewhere far
off I could hear an angry murmur broken by frantic metallic clashings.
No one sound out of the devilish babble could I disentangle, still
less, explain. A myriad noises were violently mixed in one muddy,
struggling mass of rumbling and jangling. The worst gramophones are
infinitely nearer to the cooing of doves than this, but it had in it
something strained, reckless, drunken-mad, horror-stricken, like the
voice of the gramophone. Above all, the babble was angry and it was
inhuman. I had never heard it before, and my first thought was that it
was an armed and furious multitude, perhaps a foreign invader, a mile
or so distant.
“Didn’t you know it was Saturday night?” said Higgs. “It is always
worse on Saturdays.”
“What is?” said I.
“That noise,” said Higgs.
“Hark,” said Philip anxiously, and we all held our breath to catch it
again. There.... It was no nearer. It was not advancing. It was always
the same. As I realised that it was the mutter of London, I sighed,
being a child, with relief, but could not help listening still for
every moment of that roar as of interlaced immortal dragons fighting
eternally in a pit. It was surprising that such a tone could endure.
The sea sounds everlastingly, but this was more appropriate to a dying
curse, and should have lasted no more than a few minutes. As I listened
it seemed rather to be a brutish yell of agony during the infliction
of some unspeakable pain, and though pain of that degree would kill or
stupefy in a few minutes, this did not.
“If you like the ‘Elephant and Castle,’” said Mr Morgan, “you like
that. But if you live in London all your lives, perhaps you may never
hear it again.
“For the sound does not cease. We help to make it as we do to make
England. Even those weird sisters of Aurelius out in the Wilderness
help to make it by rattling branches and dropping leaves in the fog.
You will hear the leaves falling, the clock ticking, the fog-signals
exploding, but not London.”
Public-domain text, read in full here on John Shaqi.
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