Upstairs the passages rambled about as in an old house, and when doors
were shut they were dark and cavernous. The rooms themselves were
light almost to dazzling after the passages. The light added to their
monotony, or what would have been monotony if we had known nothing of
their inhabitants. Even so, there were Megan and Ivor whom we had never
known. Ivor came between Roland and Philip, “He was the blackest of the
black,” said Mrs Smith, “brown in the face and black in the hair like a
bay horse. He was one for the water; made a vow he would swim from here
to the sea, or leastways keep to the water all the way. He got over the
second mill-wheel. He swam through the parson’s lawn when there was a
garden-party. But he had to give up because he kept tasting the water
to see how soon it got salt, and so half drowned himself. He came into
my shop just as he was born to remind me about the fireworks I had
promised to stock for Guy Fawkes day, and that was in September. But he
fell out of a tree and was dead before the day came, and, if you will
believe me, his brother bought up the fireworks there and then and let
them off on the grave.”
A wall in one room had on it a map of the neighbourhood, not with the
real names, but those of the early kingdoms of England and Wales. The
river was the Severn. Their own fields were the land of Gwent. Beyond
them lay Mercia and the Hwiccas. The men of Gwent could raid across the
Severn, and (in my opinion) were pleased with the obstacle. Later, the
projected embankment had been added to the map. This was Offa’s Dyke,
grimly shutting them out of the kingdoms of the Saxons. I recognised
Philip’s hand in the work. For his later Saxon fervour was due simply
to hate of the Normans: before they came he would have swung his axe as
lustily against the Saxons. From this room I could just see the tips of
some of the avenue trees beyond the embankment.
Public-domain text, read in full here on John Shaqi.
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