"If I recall rightly, I replaced that loose stone in the well-coping
with it, didn't I?" said Ken, "or did I use it for the _Dutchman's_ bow
anchor?"
"Nothing was wrong with those biscuits, tonight," Mrs. Sturgis said.
"Come and sit here with me, my Kirk."
Felicia blew out the candles that had graced the supper-table, drew the
curtains across the windows where night looked in, and came back to sit
on the hearth at her mother's feet. The contented silence about the fire
was presently broken by a tapping at the outer door, and Ken rose to
admit the Maestro and Martin. The Maestro, after a peep within,
expressed himself loth to disturb such a happy time, but Ken haled him
in without more ado.
"Nonsense, sir," he said. "Why--why you're part of us. Mother wouldn't
have seen half our life here till she'd met you."
So the Maestro seated himself in the circle of firelight, and Martin
retired behind a veil of tobacco-smoke--with permission--in the corner.
"We came," said the Maestro, after a time of other talk, "because we're
going away so soon, and--"
"Going away!" Three blank voices interrupted him. Kirk left even his
mother's arm, to find his way to the Maestro's.
"But I do go away," said the old gentleman, lifting a hand to still all
this protest, "every autumn--to town. And I came partly to ask--to beg
you--that when cold weather seems to grip Applegate Farm too bitterly,
you will come, all of you, to pay an old man a long visit. May I ask it
of you, too, Mrs. Sturgis? My house is so big--Martin and I will find
ourselves lost in one corner of it. And--" he frowned tremendously and
shook Kirk's arm, "I absolutely forbid Kirk to stop his music. How can
he study music without his master? How can he study without coming to
stay with his master, as it was in the good old days of apprenticeship?"
Felicia looked about the little shadow-flecked room.
"I know what you're thinking," said the Maestro, smoothing Kirk's dark
hair. "You're hating the thought of leaving Applegate Farm. But perhaps
the winter wind will sing you a different tune. Do you not think so,
Mrs. Sturgis?"
Mrs. Sturgis nodded. "Their experience doesn't yet embrace all the
phases of this," she said.
"Yes," said the Maestro, "some day before the snows come, you will come
to me. And we'll fill that big house with music, and songs, and
laughing--yes, and work, too. Ah, please!" said the Maestro, quite
pathetically.
Felicia put her hand out to his.
"We _will_ come, dear Maestro," she said, "when this little fire will
not keep us warm any longer."
"Thank you," said the Maestro.
From behind them came murmurous talk of ships--Ken and Martin
discussing the _Celestine_ and her kind, and the magic ports below the
Line. Kirk whispered suddenly to the Maestro, who protested.
"Oh, please!" begged Kirk, his plea becoming audible. "_Really_ it's a
nice thing. I know Ken makes fun of it, but I _have_ learned a lot from
it, haven't I? Please, Maestro!"
Public-domain text, read in full here on John Shaqi.
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