In many of the temples, besides the priests to minister to the gods, are dancing girls, whose duties are to dance at the shrines, sing hymns, and generally delight the gods. They are a recognized religious institution, and are honoured next to the priests. They are obtained when quite young by purchase or by gift. Often in times of famine a girl is sold to the temple, that her price may save the rest of the family from starvation. One is given that all may live. In other cases a girl is often a thank-offering given to the gods because of recovery from sickness or great tribulation. A rich man, instead of presenting his own daughter, would buy the daughter of some poor family and present her. These girls, who have no word to say in regard to the disposal of their persons, are public women, and the gains of their profession go towards the support of the temple. If there should be children born to these professional dancing girls, they are brought up in their mother’s profession, very much as were the children born to the priestesses of Aphrodite in the temples of Alexandria. All Indian girls must be married, consequently these temple women are formally married to a dagger, a tree, or some inanimate object, who, as a husband, cannot object to the actions of his wife. Lately, in some places it has been made a criminal offence to sell a girl or give a daughter to a temple, and it is only done surreptitiously. One is told in India that it is a thing of the past, yet in one large temple in the South there are said to be over one hundred dancing girls kept for the amusement of the blasé gods. These dancing girls share with their sisters, the nautch girls, the only real freedom given to Indian women. The latter are taught to read and write, to play musical instruments, and to make themselves attractive and charming to men. They come and go freely, mingling with both men and women. They are found at all feasts and public ceremonies, and have a very definite and honourable place in Indian society. Whatever discredit may be attached to her calling, she is considered a necessary adjunct to the temple and the home. Her presence at weddings is considered most fortunate, and in some castes it is the nautch girl who fastens the tali around the neck of the bride, a ceremony similar to placing the wedding-ring upon the finger. She holds the centre of the stage at all entertainments given in honour of guests. While we were in a native province ruled by a prince who had the reputation of liking wine, women, and song even more than did the average ruling prince in India, we were edified by the dancing of a woman brought from Bombay at the expense to the prince of nearly one hundred pounds a day.