The Harim and the Purdah: Studies of Oriental WomenCooper, Elizabeth
Religion
The Harim and the Purdah: Studies of Oriental Women
Cooper, Elizabeth
East Asia -- Social life and customs; Women -- East Asia
There is virtually no furniture in the homes. The stove consists of
three or four bricks, around which the fuel, consisting of dried cakes
of mud and cowdung, are broken, and which smoulder rather than burn. A
few earthenware pots and a large dish in which to serve the food, some
brass utensils, and a large jar for carrying water, complete the
culinary arrangements. For plates, banana or plantain leaves are used,
or, lacking these, small leaves are sewn together. This saves the
drudgery of washing dishes, as the leaves are thrown away after each
meal, and the fingers are used in place of the knives and forks of the
more aesthetic races. Chairs and tables are not needed, as the Indian
squats upon his haunches, as only an Oriental can; and in silence,
regarding only his own food, to which he helps himself from the central
dish, he eats his meal. When the lord of the household has finished, he
graciously allows his wife to eat from the same leaf. No Indian woman
who conforms to the customs of her race ever eats at the table with the
men of her household, yet this is not confined to the women of India.
The separation of the men from the women at the dinner-table is
practised by all Orientals. The women of China and Japan eat with the
younger children when the master of the house has finished, and no
Egyptian husband, unless one of the small class who have become
thoroughly Westernized, would think of inviting his wife to share with
him his evening meal.
In the village homes the man shows his superiority also in the fact that
the only bed in the house of the peasant or workman is that for the
master, if bed it can be called—simply a rough framework of wood with
coir ropes strung across it. The extra wardrobe of the family, if they
are so fortunate as to possess more than the one garment which they
wear, is hung on a pole in a corner of the room, and need not take much
space, as the clothing of India’s poor is scant—a loin-cloth, a sheet
for the shoulders, and a long piece of cotton for the head suffices him.
His wife will only possess a tight-fitting little bodice, and six yards
of cloth which she will drape gracefully around her body, making it
serve both as dress and head covering. Yet the woman’s arms are covered
often with bracelets, anklets tinkle as she walks, and as she draws her
sari across her face when passing the stranger, the glint of a nose-ring
is seen, or the light flashes from a necklace that rests against her
brown skin. This jewellery may be of gold, silver, brass, or even of
glass, but the woman of the village loves these aids to feminine charms
as well as does her city sister. In the olden time the peasant had no
trust in banks, and when he accumulated a few extra rupees, he added a
bangle to his wife’s arm, or bought a nose or ear-ring. It served the
double purpose of saving money which might be foolishly spent at the
autumn fair, and also was easy to take to the moneylender in times of
stress.
Public-domain text, read in full here on John Shaqi.
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