The Hart and the Water-Brooks: a practical exposition of the forty-second Psalm.Macduff, John R. (John Ross)
Religion
The Hart and the Water-Brooks: a practical exposition of the forty-second Psalm.
Macduff, John R. (John Ross)
Bible. Psalms, XLII -- Commentaries
It is with him now, as with a sinking disciple in a future age:--when
the storm is loudest and the midnight is darkest, the voice and
footsteps of his God are heard on the waves: "_And about the fourth
watch of the night, Jesus came to the disciples, walking on the sea._"
"This poor man cried, and the Lord heard him, and saved him out of all
his troubles!"[72]
[72] Psalm xxxiv. 6.
And what is the first gleam of comfort which crests these topmost
waves? It is _discerning the hand and appointment of God in all his
afflictions_! He speaks of "_Thy_ waves and _Thy_ billows." These
floods do not riot and revel at the bidding of chance. "_The Lord
sitteth upon the water-floods._"[73] While, in one sense, it
aggravated his trials to think of them as Divine chastisements--the
expressions of the Divine displeasure at sin--yet how unspeakable the
consolation that every billow rolled at the summons of Omnipotence.
"_The floods_," he can say, "_have lifted up, the floods have lifted
up their voice; the floods lift up their waves. The Lord on high is
mightier than the noise of many waters, yea, than the mighty waves
of the sea._"[74] "_O Lord our God, who is a strong Lord like unto
thee? Thou rulest the raging of the sea: when the waves thereof arise,
thou stillest them._"[75]
[73] Psalm xxix. 10.
[74] Psalm xciii. 3, 4.
[75] Psalm lxxxix. 8, 9.
But he could go further than this. He could triumph in the assurance
of God's returning favour;--that behind these troubled elements there
was seated a Being of unchanging faithfulness and love. Already the
lowering mist was beginning to clear off the mountains, and the eye of
faith to descry sunny patches of golden light gleaming in the hollows.
Soon he knew the whole landscape would be flooded with glory. The
sailor does not discredit the existence of the beacon or lighthouse,
or alter the direction of his vessel, because the fog prevents these
being seen. Nay rather, he strains his eyes more keenly through the
murky curtain, in hopes of hailing their guidance. When a cloud or
clouds are passing over the sun's disc, and hiding it from view, the
sunflower does not, on account of the momentary intervention, hang its
head, or cease to turn in the direction of the great luminary. It
keeps still gazing upwards with wistful eye, as if knowing that the
clouds will soon roll past, and that it will ere long again be bathed
in the grateful beams! So it was with David. He felt that the
countenance of his God, though hidden, was not eclipsed. This pining
flower on the mountains of Gilead does not droop in the anguish of
unbelief, when "the Sun of his soul" is for the moment obscured. He
knew that there would yet arise "light in the darkness." Amid the roll
of the billows--the moaning of the blast--he listens to celestial
music. Its key-note is "_the loving-kindness_" of his _God_. While the
heavens are still black, and the tempest raging, he lifts the voice of
Public-domain text, read in full here on John Shaqi.
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