The Hart and the Water-Brooks: a practical exposition of the forty-second Psalm.Macduff, John R. (John Ross)
Religion
The Hart and the Water-Brooks: a practical exposition of the forty-second Psalm.
Macduff, John R. (John Ross)
Bible. Psalms, XLII -- Commentaries
But we may here ask, Have we any assurance that the prayers of David,
at this critical emergency, were indeed answered? Or,(as we are often
tempted in seasons of guilty unbelief to argue regarding our prayers
still,) did they ascend unheard and unresponded to?--did the cries of
the supplicant die away in empty echoes amid these glens of Gilead? We
have his own testimony, in a magnificent ode of his old age,[96] one
of the last, and one of the noblest his lips ever sung, that Jehovah
_had_ heard him in the day of his trouble. It is a Psalm, as we are
told in the title, written by him on his return to his capital, when
victory had crowned his arms, and his kingdom was once more in peace.
The aged Minstrel takes in it a retrospective survey of his eventful
pilgrimage. Many a Mizar-hill in the long vista rises conspicuously
into view. He climbs in thought their steeps, and erects his
Ebenezer! As his flight and sojourn beyond Jordan formed the latest
occurrence in that chequered life, we may well believe that in
uttering these inspired numbers, the remembrance of his memorable
soul-struggle there must have been especially present to his mind. Let
us listen to his own words: "_The sorrows of death compassed me, and_
THE FLOODS OF UNGODLY MEN _made me afraid.... In my distress I called
upon the Lord, and cried unto_ MY GOD: HE HEARD _my voice out of His
temple, and_ MY CRY CAME BEFORE HIM, EVEN INTO HIS EARS." In the
sublimest poetical figures of all his Psalms, Jehovah is further
represented in this hymn of thanksgiving as hastening with rapid
flight, in august symbols of majesty, to the relief and succour of His
servant--"bowing the heavens"--"the darkness under His feet"--"riding
upon a cherub"--"flying upon the wings of the wind"--"sending out His
arrows, and scattering His foes"--"shooting out lightnings"--and
"discomfiting them." And with the writer's mind still resting on the
same emblems which he uses in his Exile-Psalm,--the "deep calling to
deep"--the "noise of the water-spouts"--the "waves and billows,"--he
interweaves other references and experiences with this unequivocal
testimony to God his "_Rock_," as the HEARER OF PRAYER,--"_He sent
from above, He took me, He drew me out of many waters.... Who is God
save the Lord? or who is a_ ROCK _save our God?... The Lord liveth;
and blessed be my_ ROCK; _and let the God of my salvation be
exalted!_"[97]
[96] Psalm xviii.
[97] Psalm xviii. 16, 31, 46.
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Public-domain text, read in full here on John Shaqi.
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