The Harvest of a Quiet Eye: Leisure Thoughts for Busy LivesVernon, John Richard
Religion
The Harvest of a Quiet Eye: Leisure Thoughts for Busy Lives
Vernon, John Richard
Christian life
Then the first frosts, and the calm clear mornings, and the grey fresh
blue of the evenings, with their sprinkling of intensely piercingly
glittering stars. And then the deep spell upon the trees is broken, and
we stand and watch while, now in a shower and now singly,
“The calm leaves float
Each to his rest beneath their parent shade,”
and the year seems just passing away like a beautiful dissolving view.
There is also something to keep you up, something of excitement and
stir, and glow, in the brave October days, when a great wind comes
roaring and booming over the land, and you see the tall ash trees toss
up their wild arms in dismay, and a deep roar gathers in the elms, and
a far hissing in the pines, and from that beech avenue,
“The flying gold of the ruined woodlands
Drives through the air.”
You can walk out, and press your hat on to your head, and button
your coat, and labour up the rising downs, yielding no foot to the
blustering screaming wind; and a glow and exhilaration tingles in your
veins as you march on, with pace no whit slackened for all its vehement
opposition.
But November has come; and the calm quiet hectic of September and the
hale vigour of October have now passed away. The rain has sodden and
struck down leaf after leaf, heaping the roadside, until you might
count the leaves left upon the trees that edge the lanes. A sense of
bareness and desolation oppresses you, and an aspect of dreariness and
moist death has overspread the landscape. You walk into the garden:
the dahlias are blackened with the frosts of October; the pinched
geraniums, verbenas, heliotropes, lie wrecked on the beds; the few
straggling chrysanthemums and scattered Michaelmas daisies--these are
not enough to cheer you; for even these are drooping in the universal
damp, and strung with trembling glittering diamonds of sorrowful tears.
The dark sodden walnut-leaves thickly carpet the side paths, and the
most cheerful thing in them is here and there the black wet walnut
lying, with just a warm hint of the clean bright yellow shell within,
betrayed through a torn fibrous gap. Day after day the fog sleeps over
the land, and you see your breath in the morning in the cold damp
air. You are brought face to face--earth stripped of its poetry and
romance--face to face with Winter days.
[Illustration]
And their approach seems gloomy. The light, and warmth, and the glory
of the year have gone; but, as yet, the memory of them has not all
quite departed. There are still the gleeful leaves lying, poor dead
things, in the lanes; there are yet the unburied flowers, black on the
garden-beds; the air is tepid; the trees are not entirely bare; the
state is one of transition.
“The year’s in the wane,
There is nothing adorning,
The night has no eve,
And the day has no morning;--
Cold Winter gives warning.”
Public-domain text, read in full here on John Shaqi.
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