The flesh of the face was gone. The shrivelled skin was darkened in
hue, like the skin of an Egyptian mummy—except at the neck. There it
was of a lighter colour; there it showed spots and splashes of the hue
of that brown spot on the ceiling, which the child’s fanciful terror
had distorted into the likeness of a spot of blood. Thin remains of a
discoloured moustache and whiskers, hanging over the upper lip, and
over the hollows where the cheeks had once been, made the head just
recognisable as the head of a man. Over all the features death and time
had done their obliterating work. The eyelids were closed. The hair on
the skull, discoloured like the hair on the face, had been burnt away
in places. The bluish lips, parted in a fixed grin, showed the double
row of teeth. By slow degrees, the hovering head (perfectly still when
she first saw it) began to descend towards Agnes as she lay beneath. By
slow degrees, that strange doubly-blended odour, which the
Commissioners had discovered in the vaults of the old palace—which had
sickened Francis Westwick in the bed-chamber of the new hotel—spread
its fetid exhalations over the room. Downward and downward the hideous
apparition made its slow progress, until it stopped close over
Agnes—stopped, and turned slowly, so that the face of it confronted the
upturned face of the woman in the chair.
There was a pause. Then, a supernatural movement disturbed the rigid
repose of the dead face.
The closed eyelids opened slowly. The eyes revealed themselves, bright
with the glassy film of death—and fixed their dreadful look on the
woman in the chair.
Agnes saw that look; saw the eyelids of the living woman open slowly
like the eyelids of the dead; saw her rise, as if in obedience to some
silent command—and saw no more.
Her next conscious impression was of the sunlight pouring in at the
window; of the friendly presence of Lady Montbarry at the bedside; and
of the children’s wondering faces peeping in at the door.
CHAPTER XXIII
Public-domain text, read in full here on John Shaqi.
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