The darling! And, dash it, if they were going to have vines to a
pavilion, why didn't they _have_ vines?
"Do you know," she said, "I don't believe you _do_ believe any of these
awful things could be true about me,"--her voice quickened here--"and do
you know I just think it's lovely of you! I _do_!" And her dear voice
dropped like the softer notes of a what's-its-name. Her hands lay in her
lap and she was studying me in the kindest, sweetest way! And I wanted
to tell her how good she was and how much I loved her, don't you know,
but just then, behind the pavilion, came the gardener. He was talking to
one of his assistants about slugs--_dash_ slugs!
And then her face lighted again as though she would speak and I leaned
eagerly toward her--waiting, expectant.
"When Arthur made his court at--" she began, and, by Jove, my jolly
heart sank. If she would only drop Arthur and give me a chance to make
_my_ court, dash it! "Camelot, you know," she went on, and I almost
groaned. What did _I_ care that he came a lot? Perhaps, now, if I could
divert her mind--
"Oh, I say, you know," I broke in interestedly, "what was it you
were--er--humming--just now, don't you know."
"Vivian's song--don't you remember it?"
I tried to think, but I couldn't seem to place her, though I knew the
whole line of 'em back to Lottie Gilson.
I finally had to shake my head.
She smiled. "Don't you know," she said:
"'I think you hardly know the tender rhyme
Of "trust me not at all or all in all."'"
She was right! I didn't know the jolly thing, that was a fact, but
somehow I liked the swing of it. She went on, and struck me with another
remark. By Jove, she seemed to have forgotten about the jolly song and I
was devilish glad, for _I_ had rather hear her _talk_, don't you know.
"'In Love, if Love be Love, if Love be ours--'"
"_If?_" I ejaculated reproachfully, hitching nearer. But she only
smiled, and continued her remark:
"'Faith and unfaith can ne'er be equal powers;
Unfaith in aught is want of faith in all.'"
"Oh!" I uttered. For, by Jove, she had said it--the thing I had felt all
the time and couldn't express; the something that had been with me all
along in connection with herself. And here _she_ had the jolly idea pat
upon her tongue! I just blinked at her admiringly--didn't dare speak,
you know; afraid I'd break the thread of what's-its-name.
She went on telling me something about a lover's lute, and it was hard
not to speak _then_, for I did so want to ask what a jolly lute was. And
then some remark about specks in garnered fruit--here her line of
thought had been changed, I knew, by some remark of the gardener
outside: something about worms and the orchard. However, I just chirped
up a nod and listened as attentively as though she had gone right on.
She was busy with her hair now, but with her mind still on the worm,
murmured abstractedly:
"'That rotting inward slowly moulders all.'"
Public-domain text, read in full here on John Shaqi.
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