Day after day passed, night after night, in dreadful transitions from
frenzy to stupor, deathlike stupor, only exchanged for more fearful
frenzy, till even Emmie could scarcely wish for a prolongation of the
terrible struggle. Humbly and submissively she prayed that if her loved
brother were indeed now passing through the river of death, one ray of
reason might gleam through the awful darkness around him, and that the
waves and billows might indeed not go over his head.
But Bruce had youth in his favour, and all that man's skill or woman's
tenderness could throw into the opposite scale to that in which his life
appeared to be gradually sinking. With alternations of hope and fear,
the watchers by the sick-bed marked the trembling of the balance,
scarcely able to believe that from so fearful an attack of fever the
sufferer ever again could rise. But the crisis came at last, and the
worst was over; the maddening fever quitted the suffering Bruce, but
left him helpless as an infant, and more nervous than the most weak and
timid of women.
For weeks Bruce could hardly endure the noise of a step crossing his
room; a shadow alarmed him, a voice would make every nerve in his frame
quiver. The doctor said that for long his patient would be incapable of
any mental exertion; he who had been so steady and regular in his work,
was condemned to the idleness and inaction which, to a character like
that of Bruce, was in itself a most humiliating trial and
disappointment.
As soon as the invalid could be with safety removed from London, he was
sent to a watering-place in the south of England. Emmie, whose health
had suffered from her devoted nursing, accompanied her sick brother.
After a while she exchanged places with Vibert, and rejoined at Myst
Court her father, who was actively fulfilling his duties as a landlord
and benefactor to the poor. In the latter character Mr. Trevor needed
the help of his daughter, whose health was now sufficiently restored to
enable her to become his able assistant.
Public-domain text, read in full here on John Shaqi.
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