“Perfectly true,” confirmed Dr. Strong. “Any young woman whose face
isn’t actually malformed can find her place in the eternal scheme of
beauty if she tries. Nature works toward beauty in all matters of sex.
Where beauty doesn’t exist it is merely an error in Nature’s game.”
“Then the world is pretty full of errors,” said Mrs. Sharpless.
“Most of them aren’t Nature’s errors. They are the mistakes of the
foolish human. Take almost any woman, not past the age of development,
build up her figure to be supple and self-sustaining; give her a clear
eye, quick-moving blood, fresh skin, and some interest in the game of
life that shall keep mind and body alert—why, the radiant force of her
abounding health would make itself felt in a blind asylum. And all this
she can do for herself, with a little knowledge and a good deal of
will.”
“But that isn’t exactly beauty, is it?” asked Clyde, puzzled.
“Isn’t it? In the soundest sense, I think it is. Anyway, put it this
way: No woman who is wholly healthy, inside and out, can fail to be
attractive.”
“I wish that painter-man could see Louise now, as an example,” said
Grandma Sharpless.
“Oren Taylor?” said Mr. Clyde. “Why, he can. He goes East next week,
and I’ll wire him to stop over.”
Oren Taylor arrived late on a warm afternoon. As he crossed the lawn,
Louise Ennis was playing “catch” with Manny Clyde. Her figure swung and
straightened with the lithe muscularity of a young animal. Her cheek
was clear pink, deepening to the warmer color of the curved lips. The
blue veins stood out a little against the warm, moist temples from
which she brushed a vagrant lock of hair. Her eyes were wide and
lustrous with the eager effort of the play, for the boy was throwing
wide in purposeful delight over her swift gracefulness.
“Great Heavens!” exclaimed the artist, staring at her. “Who did that?”
“Strong did that,” explained Clyde; “as per specifications.”
“A triumph!” declared Taylor. “A work of art.”
“Oh, no,” said Dr. Strong; “a renewal of Nature.”
“In any case, a lady remade and better than new. My profound
felicitations, Dr. Strong.” He walked over to the flushed and lovely
athlete. “Miss Ennis,” he said abruptly, “I want your permission to
stay over to-morrow and sketch you. I need you in my ‘Poet’s Cycle of
the Months.’”
“How do you do, Mr. Taylor?” she returned demurely. “Of course you can
sketch me, if it doesn’t interfere with my working hours.” A quick
smile rippled across her face like sunlight across water. “The same
subject?” she asked with mischievous nonchalance.
“No. Not even the same season,” he replied emphatically, coloring, as
he bethought him of his “November, the withered mourner of glories dead
and gone.”
“What part am I to play now?”
“Let Dr. Strong name it,” said Taylor with quick tact. “He has prepared
the model.”
The girl turned to the physician, a little deeper tinge of color in her
face.
“Referred to Swinburne,” said Strong lightly, and quoted:—
Public-domain text, read in full here on John Shaqi.
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