The Heart Line: A Drama of San FranciscoBurgess, Gelett
General
The Heart Line: A Drama of San Francisco
Burgess, Gelett
Bohemianism -- Fiction; Fortune-tellers -- Fiction; San Francisco (Calif.) -- Fiction
That feeling gave him a new and potent stimulus, as, under his hostess’
direction, he offered Clytie his arm into the supper-room, and took a
place beside her. It buoyed him with pride when he looked about at the
gaily clad guests and noticed, with a quickened eye, the distinction of
her face and air, comparing her with the others. That dreamy, detached
aspect in which he had seen her before had given way now to a fine glow
of excitement which stirred her blood. How far she responded to his
enthusiasm he could not tell; she was, at least, inspired with the
novelty of the scene—the gaudy dresses, the warm red lights of monstrous
paper lanterns, the odors of burning joss-sticks, the table,
flower-bedecked and set out with strangely decorated dishes, and the
monotonous, hypnotic squeak and clang and rattle of a Chinese orchestra
half-way up the stairs.
All trace of her annoyance had gone from her now, and that unnamable,
untamed spirit, usually dormant in her, had retaken possession of her
body. She was more jubilantly alive than he had thought it possible for
her to be. He dared not attribute her animation to his presence,
however, gladly as he would have welcomed that compliment. It was the
spell of masquerade, no doubt, that had liberated an unusual mood,
emboldening her to show those nimble flashes of gallantry. At any rate,
that revelation of her under-soul was a piquant subject for his mind to
think on; there was an evidence of temperament there which tinctured her
fragile beauty with an intoxicating suggestion. It was a sign of
unexpected depths in her, a promise of entrancing surprises.
For the first time in his life he lacked the audacity to woo a woman
boldly. There had never been enough at stake before to make him count
his chances. There had been everything to win, nothing to lose. Women
had solicited his favor, but there was something different in Clytie’s
approaches toward familiarity. She spoke as with a right-royal and
secure from suspicion, with a directness which of itself made it
impossible for him to take advantage of her complaisance. He was put,
in spite of himself, upon his honor to prove himself worthy of her
confidence. There was, besides, a social handicap for him in her
assured position—he could see what a place she held by the treatment she
received from every one—while he was in his novitiate at such a
gathering, newly called there, his standing still questionable. But,
most of all, to make their powers unequal, was his increasing fear of
her as an antagonist with whom he could not cope intellectually. He,
with all his clever trickery and his practical knowledge of psychology,
was like a savage with bow and arrow; she, with her marvelous intuition,
like a goddess with a bolt mysteriously and dangerously effective.
Already his instinct accepted this relation, but his brain was still
stubborn, seeking a refuge from the truth. He was to have, even as he
sat there with her, another manifestation.
Public-domain text, read in full here on John Shaqi.
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