The Heart Line: A Drama of San FranciscoBurgess, Gelett
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The Heart Line: A Drama of San Francisco
Burgess, Gelett
Bohemianism -- Fiction; Fortune-tellers -- Fiction; San Francisco (Calif.) -- Fiction
Granthope had but a moment in which to reflect upon what he had done,
but in that moment he regretted his indiscretion in telling the Bennett
story. He had not been able to resist the opportunity to make himself
interesting and agreeable; now he wondered what price he would have to
pay for it. The next moment his speculations vanished at the sight of
Clytie.
He went directly to her and sat down. Although the party was dispersed
in little groups, the conversation had become more or less general, and
he had no chance to talk to her alone. He received her smile, however,
and she favored him with as much of her talk as was possible.
As she sat there, with relaxed grace that was almost languor, she made
the other women in the room look either negligently lolling or awkwardly
conscious. He noticed how some of them showed the fabled western
influence of environment by the frank abandon of their pose, how others
held themselves rigidly, as if aware of their own lack, and sought, by
stern attention, to conceal it. Clytie’s head was poised proudly, her
hands fell from her slender wrists like drooping flowers. Her whole body
was faultlessly composed, unified with harmonious lines, as if a
masterly portrait were gently roused into life.
Fernigan now began, upon request, a Chinese parody, accompanied by
absurd pantomime. Granthope could not bear it, and, seeing Clytie still
busy with her admirers, slipped out of the room and went up to the
library.
Mr. Maxwell’s books were rare and carefully selected, a treat for such
an amateur as Granthope. He went from case to case fingering the
volumes, opening and glancing through one after another. The pursuit
kept him longer than he had intended.
There was a smaller room off the library, used as a study and shut off
by a portière. Granthope, standing near the entrance, suddenly heard
the sound of swishing skirts and footsteps, then the subdued, modulated
voices of two women. With no intention at first of eavesdropping, he
kept on with his perusal of the book in his hand. The first part of the
conversation he remembered rather than listened to, but it soon
attracted his alert attention.
"I think it’s a rather extraordinary thing, Mrs. Maxwell’s asking him,
though, don’t you?" one of the ladies said.
The reply was in a gentle and more sympathetic voice: "Oh, she wanted an
attraction, I suppose, and he’s really very good-looking, you know."
"He’s handsome enough, but he’s too much like a matinee hero for me; my
dear, he’s absolutely impossible, really! He’s not the sort of person
one cares to meet more than once. He’s beyond the pale.
"It’s rather cruel to invite him just to show him off, I think. In a
way, he had to accept."
"Oh, I expect he’s only too glad to come."
"I wonder how he feels! Do you suppose he has any idea that he’s out of
his element? It must be strange to be willing to accept an invitation
when you know you are, after all, only a sort of freak."
Public-domain text, read in full here on John Shaqi.
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