The Heart Line: A Drama of San FranciscoBurgess, Gelett
General
The Heart Line: A Drama of San Francisco
Burgess, Gelett
Bohemianism -- Fiction; Fortune-tellers -- Fiction; San Francisco (Calif.) -- Fiction
"The child was the lady’s with the white hair."
"What about it?" demanded Mr. Payson.
"I see the child standing by a lady who grew gray very young, you
understand. And now they’re both gone. Was you ever interested in
Sacramento or somewhere east of here?"
"Stockton?" he asked. "I lived there for a while."
"That’s it. I see a river, and steamboats coming in, and there’s the
child again."
"A boy or a girl?"
She hesitated for a moment to dart a glance at him as swift as an arrow.
Then she risked it. "A girl."
He drew a long breath. "I don’t quite understand."
"It certainly is a little girl, and she’s with the lady with the gray
hair. But wait a minute. Now I get a little boy, and he’s crying."
"Where is he?" came eagerly from Payson’s lips.
"He’s on this side. He’s alive. I’ll ask my guide." She plunged into
another stupor, then shook herself, rubbed her forehead, wrung her
hands.
"I can’t get it quite strong enough to-day, but I’ll find out later. He
seems to be mixed up with you, some way, not in what you might call
business, but more personally. You’re worried about him."
Mr. Payson, with a shrug of his shoulders, appeared to disclaim this.
"Yes, you are! You may not realize it, but you are. The time will come
when you understand what I mean. Now you’re too much interested in
other things. Your mind is way off—toward New York, like, or in that
direction."
He looked puzzled.
"Maybe it ain’t as far as New York, but it’s somewhere around there, and
I see books and printing presses. Do you have anything to do with
printing?"
This he also disclaimed.
"Funny!" she persisted. "I get you by a printing-press looking at a
book and then I see you at a table writing."
"I have done some writing, but it has never been printed."
"Well, it will be! My guide tells me that you have a great talent for
literary writing, and it could be developed to a great success.
"Now," she added, "you let me hold your hands a while till I get the
magnetism stronger. Just hold them firm—that’s right. Lord, you
needn’t squeeze them _quite_ so hard!" She beamed upon him with obvious
coquetry. "Now I’m going into a trance. I don’t know whether Luella
will come, or maybe little Eva. Eva’s the cunningest little tot and as
bright as a dollar. She’s awful cute. You mustn’t mind anything she
says or does, though. Sometimes, I admit, she mortifies me, when
sitters tell me what she’s been up to. I’ve known her to sit on men’s
laps and kiss ’em and hug ’em, like she was their own daughter, but
Lord, she don’t know any better. She’s innocent as a baby."
His face grew harder as she said this, but she proceeded, nevertheless,
with her experiment, closing her eyes and sitting for a while in
silence. Then her muscles twitched violently; she squirmed and wriggled
her shoulders. Finally she spoke, in a high, squeaky falsetto, a fair
ventriloquistic imitation of a child’s voice.
Public-domain text, read in full here on John Shaqi.
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