The Heart Line: A Drama of San FranciscoBurgess, Gelett
General
The Heart Line: A Drama of San Francisco
Burgess, Gelett
Bohemianism -- Fiction; Fortune-tellers -- Fiction; San Francisco (Calif.) -- Fiction
He came to himself with a blinding, splitting pain in his head; his body
was stiff and cold in the night air. He lay half-way down the slope,
his hands and face were scratched and bleeding, his clothes were torn.
He was motionless for some time, endeavoring to collect his senses,
wondering vaguely what to do. Then he stirred feebly, tried his limbs to
see what damage had been done and found he had broken no bones. His
ankle, however, was badly strained, and it ached severely. As he sank
back again, far down the hill towards the crusher building, a voice came
up to him:
"Francis! Francis!"
It penetrated his consciousness slowly. Still a little dazed, he rolled
over and looked down to the deserted street below. He tried to rise and
his ankle crumpled under him. He answered as loud as he could cry, then
lay there watching.
Sansome Street lay bare in the moonlight. On the near side the hill
sloped up to him from the rock crusher. On the other side was a row of
gaunt buildings—a pickle factory, a fruit-canning works, and so on, to
the dock. An electric car flashed by and, as it passed, he saw a woman
moving to and fro at the foot of the talus.
He sat up as well as he could on the slope and again shouted down to
her. She stopped instantly. Then, waving her hand, she started to
scramble up the slippery gravel of the hill.
As she ascended, she had to zigzag this way and that to avoid sliding
back. Part of the time, she was forced to go almost on hands and knees.
The moon was behind her, throwing her face into shadow. She climbed
steadily without calling to him again. When she was a few yards away,
he cried to her:
"Miss Payson! Is that you?"
"Yes! Don’t try to move, I’m coming."
She reached him at last and knelt before him anxiously. Her tawny,
silken hair was loosened under her hat and streamed down into her eyes.
She had on a red cloth opera cloak with an ermine collar; this was
partly open, showing, underneath, a white silk evening dress cut low in
the neck. Her hands were covered with white suede gloves to the
elbow—they were grimy and torn into ribbons. Her white skirt, too, was
ripped and soiled. She put her hand to her hair and tossed it back,
then took his hands in hers.
"Are you hurt?" she asked anxiously.
"Not much. I believe I was stunned. I have no idea how long I’ve been
here. What time is it?"
"It is almost eleven. Oh, I’m so glad I found you! I’m going to help
you down." She stooped lower to assist him.
"But I don’t understand," he said in astonishment. "How in the world did
you happen to come? What does it all mean?" His bewilderment was comic
enough to draw forth her flashing smile.
"We’ll talk about that afterwards. We must get down this hill first.
Oh, I hope there are no bones broken."
Public-domain text, read in full here on John Shaqi.
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