The Heart Line: A Drama of San FranciscoBurgess, Gelett
General
The Heart Line: A Drama of San Francisco
Burgess, Gelett
Bohemianism -- Fiction; Fortune-tellers -- Fiction; San Francisco (Calif.) -- Fiction
The room was as quiet as a padded cell, full of a soft, velvety
blackness, except where the single drop-lamp lighted up the couch.
Ordinarily the place was, in its strange dark emptiness, a restful,
comforting retreat. Now it imprisoned him. Above his head the great
ring of embroidered zodiacal signs shone with a golden luster. They
were the symbols of the mysterious dignity of the past, of the dark ages
of thought, of priestcraft and secret wisdom of the blind centuries that
had gone. But, a modern, incongruously set about with such medieval
relics, he felt for the first time, undignified. In their time these
emblems had represented all that existed of knowledge. Now, to him they
stood for all that was left of ignorance and superstition; and it was
upon such instruments he played.
He read palms perfunctorily that Saturday. He seemed to hear his own
voice all the while, and some dissociated function of his mind scoffed
continually at his chicanery. It was the same old formula: "You are not
understood by those about you. You crave sympathy, and it is refused.
You are extraordinarily sensitive, but when you are most hurt you often
say nothing. You have an intuitive knowledge of people. You have a
wonderful power of appreciation and criticism. People confide in you.
You are impulsive, but your instinct is usually sure"—the same
professional, easy rigamarole, colored with what hints his quick eyes
gave him or his flagging imagination suggested.
Women listened avidly, drinking in every word. How could he help telling
them what they loved so to hear? They asked questions so suggestive
that a child might have answered. They prolonged the discussion of
themselves, obviously enjoying his apparent interest. He caught himself
again and again playing with their credulity, their susceptibility, and
hated himself for it. They lingered, smiling self-consciously, and he
delayed them with a look. In very perversity, he began deliberately to
flatter their vanity in order to see to what inordinate pitch of conceit
their minds would rise. He affected indifference, and even scorn—they
followed after him still more eagerly. He grew, at last, almost
savagely critical, an instinct of cruelty aroused by such complacent,
egregious egoism. They fawned on him, like spaniels under the lash.
Public-domain text, read in full here on John Shaqi.
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