The Heart Line: A Drama of San FranciscoBurgess, Gelett
General
The Heart Line: A Drama of San Francisco
Burgess, Gelett
Bohemianism -- Fiction; Fortune-tellers -- Fiction; San Francisco (Calif.) -- Fiction
She did not answer, but arose slowly. "I think I must be going."
He followed her, thoroughly dissatisfied with himself at having let his
moment pass. He understood her well enough. It was only by stopping
still, as she had said, that he could lose her. She had started a
change in him, and it must go on. Something which tied his hands, his
mind, must be cut; he must be free of that before he could speak.
They retraced their steps, she talking, as when they had come,
inconsequently; he, moody, troubled inwardly, self-conscious. She was
to give him one more hope, however. As she left him, on the avenue, she
offered her hand, and smiled.
"Don’t give it up," she said, and turned away, leaving him standing
alone, still fighting his battle with himself.
He had enough to think of, as he strode home, ill-satisfied with himself
and in a turmoil of thought in regard to her. There was no question of
mastery, now; she had beaten him at his own game. It was only a
question of surrender.
He went up into his office and stood, looking about. The row of plaster
casts confronted him. He took one from the row and examined it. There,
too, was a heart line split up with divergent branches, punctuated with
little islands, beginning at the Mount of Saturn, herring-boned to the
end, at the double crease which signified two marriages. The fingers
were short and fat, the thumb being far too small. Small joints, broad
lines, deep cushions at the Mounts of Venus and Mercury, deep bracelets
at the wrist—Granthope’s eyes read the signs as if the hand were a face,
or a whole body.
As he turned the cast over thoughtfully, to look at the back, it dropped
from his grasp and fell to the floor, breaking into a dozen pieces.
Bits of wire projected humorously from the stump. He smiled.
"Kismet!" he said to himself. "Adieu, Violet!"
He was stooping to clear away the fragments when he heard a knock upon
the door. Going to answer it, he found Professor Vixley waiting.
"Hello, Frank," said the slate-writer. "Can I see you for a few
minutes?"
"Come in." Granthope drew up a chair, but stood himself with his hands
in his pockets while his visitor made himself comfortable.
Vixley’s shrewd eyes roved about the room and rested upon the broken
cast. "Hello," he said, "cat got into the statuary?"
"Accident," said the palmist.
"Plenty more where they come from, I s’pose. Say, Frank, let’s see the
Payson girl’s hand, will you?"
"I haven’t it."
"You mean a cast, of course, eh? I expect you’ve pretty near got the
original, ain’t you?"
"Not yet." Granthope frowned.
"But soon—"
Granthope shrugged his shoulders.
"It was about Payson I wanted to see you," the Professor went on.
"Seems to me you ain’t standin’ in like you agreed to. Gert claims you
got cold feet on the proposition. I thought I’d drop in and chew it
over."
Public-domain text, read in full here on John Shaqi.
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