The Heart Line: A Drama of San FranciscoBurgess, Gelett
General
The Heart Line: A Drama of San Francisco
Burgess, Gelett
Bohemianism -- Fiction; Fortune-tellers -- Fiction; San Francisco (Calif.) -- Fiction
"Oh," he said. "Tell Miss Payson to come into my studio when she comes
back."
"Say, Mr. Granthope, who’s Miss Gray? De lady wanted to know where was
Miss Gray, and I told her she could search me, for I wasn’t on. She
looked like she took me for a shine to be holdin’ down de desk here;
dat’s right."
Granthope walked quickly into his studio without answering.
He seated himself thoughtfully and looked about him, still holding the
white glove caressingly in his hand. His eye traveled from the
electric-lighted table, round the black velvet arras, to the panel where
the signs of the zodiac were embroidered in gold: then his eyes closed.
He sat silent for ten minutes or so, then he drew his hand through his
heavy black hair and across his brow. His eyes opened; he arose; a
faint whimsical smile shone on his face.
Then, still smiling, he strode deliberately across the room, grasped the
black velvet hanging and gave it a violent tug, wrenching it from the
cornice. It fell in a soft, dark mass upon the floor. He seized the
next breadth of drapery, and the next, tearing them from the wall. So
he went calmly round the room in his work of destruction, disclosing a
widening space of horribly-patterned wall-paper—pink and yellow roses
writhing up a violently blue background. On the last side of the room
two windows appeared, the glass almost opaque with dust.
He threw up a sash; a shaft of sunshine shot in, and, falling upon the
velvet waves upon the floor, changed them to dull purple. In that ray a
universe of tiny motes danced radiantly. A current of air set them in
motion and swept them from the room through the window into the world
outside.
And, as he stood there, his face like that of a child who had released a
toy balloon, watching that beam of yellow light, Clytie Payson opened
the door of the studio and looked in at him. She appeared suddenly,
like a picture thrown vividly upon a screen. She saw Granthope before
he saw her, and, for a moment, she stood gazing. His pose was eloquent;
he was, in his setting, almost symbolistic—she needed no explanation of
what had happened. Then, it was as if some tense cord snapped in her
mind, and she threw herself forward, no longer the dreamer, but the
actor, giving free rein to her emotion.
[Illustration: His pose was eloquent]
He turned and caught sight of her. Her hands were outstretched, her
eyes were burning with a new fire, as if her smoldering had burst into
flame.
"Oh! You have done it! I knew you would!"
He gave her his two hands in hers, nodding his head slowly; his smile
was that of one who viewed himself impersonally, looking on at his own
actions. He did not speak. A quaint humor struggled in his mind with
the intensity of the situation. Something in him, also, had snapped,
and he was self-conscious in his new rôle.
She clutched his hands excitedly, and lifted her eyes up to his, with a
new, unabashed fondness burning in them. She had thrown away all her
reserves.
Public-domain text, read in full here on John Shaqi.
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