The Heart Line: A Drama of San FranciscoBurgess, Gelett
General
The Heart Line: A Drama of San Francisco
Burgess, Gelett
Bohemianism -- Fiction; Fortune-tellers -- Fiction; San Francisco (Calif.) -- Fiction
Vixley took the cigar from his teeth and sat down patiently before his
dupe. He rapped with his forefinger upon the table. "See here, it’s
this way, Mr. Payson; every science has its own condition that has got
to be fulfilled before any experiment can be a success, hasn’t it? You
can’t go against nature. If you want an electric light or telephone, you
have to run wires, don’t you? Why? I don’t know—I’m not an
electrician. If you want to develop a photograph, you have to do it in
the dark. Why? I don’t know—go ask a photographer. If you want to
make a seed grow, you put it down into the dirt and water it. Why? I
don’t know. Nobody knows. It’s one o’ the mysteries o’ life. In the
same way, if you want to get results in spiritualism, you have to submit
to the conditions that are imposed by my guide. Why? I don’t know.
And what’s more, I don’t care. If I can get the results, it makes no
difference to me how they come. All I do know is that fifty years’
experience has shown us mediums the proper conditions necessary for the
physical manifestation of phenomena. Full daylight is all right for
psychic influences, but it don’t do for slate-writin’. The question is
whether you want to accept the conditions I give you, or do you expect
the spirits to work in a way that’s impossible?"
Mr. Payson, overcome with this profound logic, submitted without further
protest to having the shades drawn down. The Professor reseated himself
and waited till the three slips were written and folded according to
direction. In his own lap were three blank slips folded in exactly the
same manner.
Vixley now pressed his brow and smoothed it with both hands. "Some
fakirs will palm a blank slip and exchange it for your written one, but
you see I ain’t got nothin’ in my hands," he said, showing them empty.
Even as he spoke he dropped his hands into his lap, and secreted one of
his folded slips in his palm. Then he reached for one of Payson’s
written questions and seemed to place it on the old man’s forehead, but
quick as was the motion, he had made the substitution.
"You hold this paper there while I go and get the slates. And keep your
mind on the question as hard as you can."
He returned in a moment, having glanced meanwhile at Mr. Payson’s first
question, while he was outside, bringing back a dozen or more slates
which he put on the book-shelf. He took off the top one and handed it
to Mr. Payson.
"Just look at it, examine it all you want to, and then take this wet
towel, wash it off clean and dry it with the other end, please."
As the old man did so, the Professor went to the pile and took down the
next slate. This was the first one which Flora had read, the writing
being now concealed by the thin slab which fitted neatly into the frame.
As Mr. Payson handed back the first slate, Professor Vixley, looking him
intently in the eye, said:
Public-domain text, read in full here on John Shaqi.
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