The Heart Line: A Drama of San FranciscoBurgess, Gelett
General
The Heart Line: A Drama of San Francisco
Burgess, Gelett
Bohemianism -- Fiction; Fortune-tellers -- Fiction; San Francisco (Calif.) -- Fiction
Professor Vixley’s victim had ceased to struggle, and, caught
inextricably in the web so artfully woven, gazed, fascinated, into the
eyes of the spider who was preparing to suck his golden blood.
*CHAPTER XIV*
*THE FORE-HONEYMOON*
Outward, across the narrow, mile-long mole, the Oakland Local, a train
of twelve coaches, swept on from block to block, beckoned by semaphores,
till it threw itself with a roar into the great train-shed upon the
Oakland pier. The locomotive stopped, throbbing and panting
rhythmically, spouting a cloud of steam that eddied among the iron
trusses of the roof. The air-brakes settled back with a long, relieved
hiss. The cars emptied streams of passengers; the ferry-station became
as populous and busy as a disturbed ant-hill. Up the broad stairs and
into the huge waiting-room the commuters poured, there to await the
boat.
It was half-past nine in the morning. The earlier trains, laden with
clerks and stenographers and the masses of early workers, had already
relieved the traffic across the bay. The present contingent consisted
chiefly of the more well-to-do business men, ladies bent on shopping in
the city, and a scattering of sorts. Some clustered in a dense group by
the door of the gangway, the better to rush on board and capture the
favorite seats; the rest took to the settees and unfolded their morning
papers, conversed, or watched the gathering throng.
The Overland from Chicago was already in, two hours late, and it had
contributed to the assembly its delegation of dusty, tired tourists,
laden with baggage, commercial travelers, curious and bold, with a few
emigrants in outlandish costumes, prolific in children and impedimenta.
Another roar, and the Alameda Local thundered into the shed and emptied
its lesser load. The Berkeley train had arrived also, and the
waiting-room was now well filled.
Through the glazed front of the hall the steamer _Piedmont_ came into
view, entering the slip. It slid in quietly and was deftly tied up.
The gang-plank was lowered and its passengers disembarked, filing
through a passageway separated from the waiting throng by a fence. Then
the heavy door slipped upward, the crowd made for the entrance and
passed on board the boat. As each party stepped off the gang-plank some
one would say, "Do you want to sit outside or inside?" The continual
repetition of this question kept the after part of the deck echoing with
the murmur.
Clytie Payson, finding all the best outside seats occupied, went into
the great open cabin and sat down. The saloon soon filled. In a moment
there was the creaking of the gang-plank drawbridge, a deep, hoarse
whistle overhead, the jangle of a bell in the engine room, and the boat
started, gathered way, and shot out into the bay. An Italian band
started playing.
Public-domain text, read in full here on John Shaqi.
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