The Heart Line: A Drama of San FranciscoBurgess, Gelett
General
The Heart Line: A Drama of San Francisco
Burgess, Gelett
Bohemianism -- Fiction; Fortune-tellers -- Fiction; San Francisco (Calif.) -- Fiction
They went along the road, skirting the water, past the battery
emplacements and disappearing guns, over a low hill toward the Fort.
From this side the Bay opened to them, and beyond lay line on line of
mountains, growing hazier in the distance, to the north and east. They
had regained their spirits with this exercise, and talked again freely
as boy and girl. He noticed with amusement and delight how she edged,
unconsciously, nearer and nearer him. If he crossed the road, she came
to him, without perceiving the regularity of it, as the armature comes
to the magnet. She nearly forced him into the wall, or off the walk, in
her unthinking pursuit of him, so strongly he attracted her. She
blushed furiously when he spoke of it—it was so droll that he could not
help mentioning it—but that comment did not cure her. She was over by
his side, rubbing elbows as unaffectedly the next instant. How could
she help it, when he kept his eyes on her as he did? she said. So,
along the shore by the Life Saving Station, up to the parade ground and
the barracks, then by a climb up the steep, narrow, tree-grown path to
the corner gate of the reservation they sported.
That was the first of a series of outings they had together that week.
The Golden Gate Park, Sutro’s forest and the beach were each explored in
turn, and while still within the limits of the city they tasted of
country, mountain and shore, and let the days fly by. Clytie brought
the luncheon, and they ate it, picnic fashion, under the blue sky. She
kept strict account of his finances, and as his small capital dwindled
they came back to his plans for the future. He met her, one day, with
news.
"I think I shall have to go to work, after all," he said. "I’ve got a
position."
She congratulated him, not without a shade of sorrow that their holidays
were to end.
"It’s too much like my old work to be very proud of, but it’s a step up.
It’s founded on vanity, but this time I shall exploit my own instead of
others’. I’m going on the stage. I’ve found my name is worth
something."
She was a little disappointed and he was not surprised. "Oh, I’ll soon
become unbearable, I suppose. Most of the time I don’t spend in front of
the make-up glass looking at myself, I’ll spend being looked at, trying
to propitiate an audience. It’s a school of egoism. But at least my
pose will be honest. I saw the stage manager of the _Alcazar_, and I’m
going to begin to rehearse next Monday."
He spoke banteringly, but she felt the truth of his jests. Still, it
would provide for the present. It would make him more than ever
notorious—but it was better than idleness.
The next day at ten o’clock she appeared at the studio to spend the day
with him. It was Wednesday, and they were anxious to make the most of
what time remained.
Public-domain text, read in full here on John Shaqi.
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