The Heart Line: A Drama of San FranciscoBurgess, Gelett
General
The Heart Line: A Drama of San Francisco
Burgess, Gelett
Bohemianism -- Fiction; Fortune-tellers -- Fiction; San Francisco (Calif.) -- Fiction
At ten she was at the ferry, waiting for the boat which connected with
the Sacramento train. There was a crowd going, coming and waiting in
the long arcade outside. As she approached the ticket office a man was
at the window. He was tall, dark-haired, distinguished. At sight of
him, Clytie withdrew out of sight, and let him finish his business and
leave. Then she approached, bought her ticket, and, watching sharply,
dodging behind groups here and there, she succeeded in passing the
ticket collector and losing herself in the assembly in the waiting-room
without being observed. She wormed her way forward near the gate, and
with the first rush of passengers, after the gate was raised, hurried on
to the boat and went, immediately into the ladies’ room.
On the other side she acted as cautiously. She remained till almost the
last passenger had left the boat, then walked swiftly through the
train-shed to her car. For an hour, as the train sped on, she scarcely
looked to the right or the left.
The train slowed up at Stockton, and stopped. Clytie looked carelessly
out of the window. Just as the train started again, Granthope appeared
on the platform. He went up to a cab-driver and began talking. Clytie,
flushing deeply, watched him so intensely that at last, as if attracted
by some mental telepathy, he looked round and caught sight of her. His
hat came off to her immediately. He gave a quick glance at the now
rapidly moving train, as if intending to board it, then he gave it up as
impossible. Clytie’s eyes lost him, and she was carried on. It was a
long time before the color faded from her cheeks.
*CHAPTER XVI*
*TIT FOR TAT*
Professor Vixley had prepared his campaign with Mr. Payson with the
scientific delight of an engineer. His cunning was not too low to
prevent his love of the sport for the sport’s sake, and his elaborations
and by-plays were undertaken with relish and enthusiasm. The pleasure
was vastly heightened for him by the character of his dupe. Mr. Payson
was a figure in the community, a man of weight and influence. He had an
established position and an assured wealth. Heavy and slow, mentally, he
had the dignified respectability that is usually associated with
business success.
In the mental manipulation of such a personage Vixley felt a sense of
power as enjoyable as the pecuniary reward. The dwarf, socially, led
the giant.
Public-domain text, read in full here on John Shaqi.
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