The Heart Line: A Drama of San FranciscoBurgess, Gelett
General
The Heart Line: A Drama of San Francisco
Burgess, Gelett
Bohemianism -- Fiction; Fortune-tellers -- Fiction; San Francisco (Calif.) -- Fiction
She had run out into the rain without either coat or umbrella. Turning
down Commercial Street in the direction of the ferry, she walked
hurriedly, as if bent on some special errand; but, at the foot of Market
Street, she hesitated, then crossed, walked along East Street past the
water-front, saloons and sailors’ boarding-houses, stumbling and
slipping on the uneven, reeking, board sidewalks. Then she went up
Howard Street, dark and gloomy, all the way to Fourth Street. Here she
made back for the lights of Market Street, crossed, looked idly in at a
drug store window for fully five minutes. A man came up and accosted
her jocosely. She turned and stared at him without replying a word, and
he walked away.
Then, almost running, now, she flew straight for Granthope’s office.
Looking up from the street, she saw a light in his window. She ran up
the stairs and paused for a moment to get her breath outside his office
door. Just at that moment a voice came to her from inside, and then a
man’s answered, followed by a chorus of soft laughter. She stood
transfixed, biting her lip nervously, listening. The woman’s voice went
on, evenly.
Fancy staggered slowly down the stairs and went out again into the
storm. Down Geary to Market Street, down Market Street, hopelessly,
aimlessly. Here the rain beat upon her mercilessly in great sheets.
Again she stopped, looking up and down wildly. Finally she turned the
corner and went into the ladies’ entrance of the "Hospital." A waiter
led her to a booth where she could be alone.
The "Hospital" was, perhaps, the most respectable saloon in the city
where women were permitted. The whole rear of the establishment was
given over to a magnificently fitted-up department devoted to such women
as were willing to be seen there. One might go and still retain a
certain relic of good-repute, if one went with a man—there were married
women enough who did, and reckless girls, too, who took the risk; but it
was on the frontier of vice, where amateur and professional met.
From a wide, carpeted passage booths opened to right and left; little
square rooms, with partitions running up part way, screened off with
heavy red plush portières hanging from brass rods. Each of these
compartments was finished in a different kind of rare wood, handsomely
designed. Arching from a heavy, molded cornice, where owls sat at
stately intervals, an elaborately coffered ceiling rose, and in the
center was suspended a globe of cathedral glass, electric lighted,
glowing like a full moon.
Fancy hung up her jacket to dry and ordered a hot lemonade. Then she
went down to the telephone and called up Gay P. Summer’s house number.
She got him, at last, and asked him, tremulously, to come down to the
"Hospital" and see her. She would wait for him. He seemed surprised,
but she would not explain, and, after a short discussion, he consented.
She went back to the "Toa" room and waited, sipping her drink.
Public-domain text, read in full here on John Shaqi.
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