The Heart Line: A Drama of San FranciscoBurgess, Gelett
General
The Heart Line: A Drama of San Francisco
Burgess, Gelett
Bohemianism -- Fiction; Fortune-tellers -- Fiction; San Francisco (Calif.) -- Fiction
"Yes," Mr. Payson’s voice was almost inaudible. He pushed his chair
back, rose and went into the library. Clytie followed him.
"Are you going out to-night, father?"
"Yes, I’ve got some business to attend to."
"In the evening?" she raised her brows.
"Oh, I’m only looking up something—for my book." He turned away to
avoid her gaze.
"Oh!" She sat down and took up a book without questioning him further.
Soon after, the front doorbell rang and Mr. Cayley was shown in by the
Chinese servant.
Blanchard Cayley was well known about town, for he had a place in many
different coteries. By his birth he inherited a position in a select
Southern set that had long monopolized social standing and looked
scornfully down upon the upstart railroad aristocracy and that _nouveau
riche_ element which was prominent chiefly through the notoriety
conferred by the newspapers. Blanchard Cayley’s parts gained him the
entrée, besides, to less conventional circles, where his wit and
affability made him a favorite. He belonged to two of the best clubs,
but his inclinations led him to dine usually at French or Italian
restaurants, where good-fellowship and ability distinguished the
company. He wrote a little and knew the best newspaper men and all the
minor poets in town. He drew a little, and was familiar with all the
artists. He accounted himself a musical critic and cultivated
composers. He knew San Francisco like a rat, knew it as he knew the
intricacies of French forms of verse, as well as he knew the
architecture of music and the history of painting. He had long ceased
his nocturnal meanderings "down the line" from the Hoffman Bar to Dunn’s
saloon, but he occasionally took a post-graduate course, of sorts, to
see whether, for the nonce, the city was wide open or shut. He had
discovered the Latin Quarter, now well established as a show-place for
jaded pleasure-seekers, and had played _bocce_ with the Italians in the
cellars of saloons, before the game was heard of by Americans. He had
found the marionette theater in its first week, traced every one of
Stevenson’s haunts before the Tusitala had died in Samoa, knew the
writings of "Phoenix" almost by heart, and had devoured half the
Mercantile Library. Tar Flat and the Barbary Coast he knew as well as
the Mission and North Beach, and as for Chinatown, he had ransacked it
for queer jars, jade and hand-made jewelry, exhausting its possibilities
long before San Franciscans had realized the presence, in that quarter,
of anything but an ill-smelling purlieu of tourists’ bazaars.
Public-domain text, read in full here on John Shaqi.
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