The Heart Line: A Drama of San FranciscoBurgess, Gelett
General
The Heart Line: A Drama of San Francisco
Burgess, Gelett
Bohemianism -- Fiction; Fortune-tellers -- Fiction; San Francisco (Calif.) -- Fiction
Two hours after leaving Granthope’s studio, Mr. Gay P. Summer had
"dated" Fancy Gray. Mr. Summer was a "Native Son of the Golden West";
he had, indeed, risen to the honorable station of Vice President of the
Fort Point Parlor of that ecstatic organization. He was, in his modest
way, a leader of men, and aspired to a corresponding mastery over women.
In all matters pertaining to the pursuit and conquest of the fair sex,
Mr. Summer was prompt, ingenious and determined. Before two weeks were
over he was able to boast, to his room-mate, of Fancy’s subjection.
Fancy herself might equally well have boasted of his. At the end of this
time he was, at least, in possession of her photograph, six notes
written in a backward, slanting penmanship, twelve words to the damask
page, with the date spelled out, a lock of hair (though this was arrant
rape), and one gray suede, left-hand glove. These he displayed, as
trophies of the chase, upon the bureau of his bedroom and defended them,
forbye, from the asteistic comments of his room-mate, an unwilling and
unconfessed admirer of Gay P. Summer’s power to charm and subdue.
In those two weeks much had been done that it is not possible to do
elsewhere than in the favored city by the Golden Gate. A Sunday
excursion to the beach was the fruit of his first telephonic
conversation. There are beaches in other places, indeed, but there is no
other Carville-by-the-Sea. This capricious suburb, founded upon the
shifting sands of "The Great Highway," as San Francisco’s ocean
boulevard is named, is a little, freakish hamlet, whose dwellings—one
could not seriously call them houses—are built, for the most part, of
old street-cars. The architecture is of a new order, frivolously
inconsequent. According to the owner’s fancy, the cars are placed side
by side or one atop the other, arranged every way, in fact, except
actually standing on end. From single cars, more or less adapted for
temporary occupancy, to whimsical residences, in which the car appears
only in rudimentary fragments, a suppressed motif suggested by rows of
windows or by sliding doors, the owners’ taste and originality have had
wanton range. Balconies jut from roofs, piazzas inclose sides and
fronts, cars are welded together, dovetailed, mortised, added as ells at
right angles or used terminally as kitchens to otherwise normal
habitations.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account