The Heart Line: A Drama of San FranciscoBurgess, Gelett
General
The Heart Line: A Drama of San Francisco
Burgess, Gelett
Bohemianism -- Fiction; Fortune-tellers -- Fiction; San Francisco (Calif.) -- Fiction
The walls were decorated with beer- and wine-signs in frames, and on
either side of the huge mirror hung lithographic portraits of Humberto
and the Queen of Italy. Opposite, a row of windows looking on the
street was hung with half-curtains of a harsh, disagreeable blue; over
them peeped, now and again, wayfarers or others who had dined too well,
rapping on the glass and gesticulating to those inside. All about the
sides of the room and upon every column, hats, coats and cloaks were
hung, making the place seem like an old-clothes shop. The floor was
covered with sawdust and the tables were huddled closely together.
For the most part the diners were all young—mechanics, clerks, factory
girls and the like though here and there, watching the sport, were
up-town parties, reveling in an unconventional air. The groups, now
well on in their dinner, had begun to fraternize. Here a young man
raised his wine-glass to a pretty girl across the room and the two drank
together, smiling, or calling out some easy witticism. In one corner, a
party of eight was singing jovially something about: "One day to him a
letter there did come," and anon, encouraged by the applause and the
freedom, a lad of nineteen, devoid of collar, closed his eyes, leaned
back and sang a long song through in a vibrant, harsh voice. He was
greeted with applause, hands clapped, feet pounded and knives clattered
on bottles till the _patron_ hurried from table to table quelling the
pandemonium. Waiters came and went in bustling fervor, dodging between
one table and another, jostling and spilling soup; at intervals a great
clanging bell rang and the apparition of a soiled white cook appeared at
the kitchen door ordering the waiters to: "Take it away!" The kitchen
was an arcade into which from time to time guests wandered, to joke with
the cook and beat upon the huge immaculate copper kettles on the wall.
The conversation at times became almost general, the party of songsters
in the corner leading in the exchange of persiflage. Two girls dining
alone, with hard, tired-looking eyes and cheap jewelry, began a duet;
instantly, from a company of young men, two detached themselves, plates
and glasses in hand, and went over to join them. A roar went up;
glasses rang again and Dave fluttered about in protest at the noise.
Fancy talked little. The crowd, the lights, the _camaraderie_
hypnotized her. She watched first one and then another group, picking
out, for Gay’s edification, the prettiest girl and the handsomest man in
the room. She waved her hand slyly at the collarless soloist and
applauded two darkies who came in from outside to make a hideous clamor
with banjos. As she waited to be served, she nibbled at the dry French
bread and drank of the sour claret, watching over the top of her glass,
losing nothing.
Public-domain text, read in full here on John Shaqi.
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