The Heart Line: A Drama of San FranciscoBurgess, Gelett
General
The Heart Line: A Drama of San Francisco
Burgess, Gelett
Bohemianism -- Fiction; Fortune-tellers -- Fiction; San Francisco (Calif.) -- Fiction
"Much obliged. H’m! So she thinks she’s a psychic, does she? They
might be something in that. Supposed to be engaged to B. Cayley. Well,
you’ll have to fix _him_, won’t you! Father writing a book—ah! That’s
just what we want. Say, that’s great! Me and Vixley will work that
book, don’t you worry! Wears a ring with ’Clytie’ inside. Turquoises.
Mole on left cheek. Goes to Mercantile Library three to five. Sun-dial
with doll buried under it. That’s funny. I wish it was papers, or
something important—I don’t see what we could do with a doll, do you?
Still, you never can tell. All’s generally fish that comes to my net.
I’ve known stranger things than dolls. Making a birthday present of a
hand-bound volume of what? Montaigne? What’s that? Say, what’s this
about Madam Grant, anyway?"
He turned to her and held out his hand for the card, now distinctly
impatient. "I don’t know—that is, I forgot I put that on. There’s
nothing there that will help you, I guess. You’d better let me have it
back, after all. It’s chiefly about Miss Payson, anyway, and that isn’t
your business."
Madam Spoll refused to return the card. Instead, she tucked it into the
front of her dress, saying, "Oh, I don’t know. You never know what may
be useful. It’s well to be prepared."
"See here; you understand that you’re to keep your hands off Miss
Payson," said Granthope with emphasis. "She’s my game. Do what you like
with the old man, but leave me alone, that’s all!"
"Don’t you fret yourself about that. Ain’t we worked together before,
for gracious sakes? I guess I can mind my own business!"
The palmist walked over to the fireplace, stood leaning against the
mantel and kicked the fender meditatively, somewhat disturbed by Madam
Spoll’s presence. He had seen Miss Payson only twice, yet he had already
come to the point where he was annoyed to hear her so cold-bloodedly
discussed, and his own heartless notes quoted. Even less could he enjoy
thinking of so fine and delicate a creature in the toils of Vixley and
Spoll. No, she was for his own plucking. She was a quarry well worth
his chase. To share his plans with such vulgar plotters seemed to
cheapen the prize, to rub off the bloom of her beauty and charm. He
would play a more exquisite, a more subtle game. It would not do,
however, to break with the mediums. They were still useful to him, in
spite of his assertion of independence. They knew, besides, altogether
too much about him for him to dare to kindle their resentment.
If Madam Spoll had noticed his detachment she did not show it. She
herself had, evidently, been thinking something over, and now she
interrupted his meditation.
"Say, Frank, about that old Madam Grant, now—"
"She wasn’t so old, was she?"
"How d’you know she wasn’t?"
He covered his mistake as well as he could with: "Oh, I’ve heard she was
a young woman, not more than thirty, when she died."
Public-domain text, read in full here on John Shaqi.
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