Like most men of his class and upbringing, the ex-cow-puncher found
satisfaction for a certain daring trait in his character at the gambling
table. The coarser forms of pleasure in the honkytonks did not attract
Joe Hurley. He danced occasionally with the better class of girls; he
never drank more than he thought was good for him—and he carried his
drink well; but when he “sat in” at a game of stud poker or went up
against the wheel—roulette was popular with the Passonians—he admitted
in his saner moments that he “didn’t know when he had enough.” The wild
streak in the fellow showed through the veneer of repression as it had
when he was in college.
Hunt could not feel as lenient now toward these escapades as he once
had. Not alone had the Easterner’s outlook on life become more serious;
but after five years Joe Hurley, he thought, should have “grown up.” He
was, however, too wise to utter a single word in opposition to Joe’s
renewed course in moral retrogression. He took Sam Tubbs to task when he
met that old reprobate staggering home from the saloons and gave him a
tongue-lashing that Sam admitted afterward made his wife’s nagging seem
like a cradle lullaby. Hunt faced down Slickpenny Norris on the open
street, to the delight of the bystanders, over the banker’s
niggardliness in opposing the building and equipment of the hospital.
The parson had been known to seize upon two well-grown young fellows
fighting in a vacant lot to the delight of their fellows, knock their
heads together resoundingly and send each home “with a flea in his ear.”
But he had not a word of admonition it seemed for Joe Hurley.
Yet Hunt was troubled about his friend. He feared Betty knew something
about the reason for the change in the mine owner. But here again he was
silent. He knew his sister well—too well to try to gain her confidence
on any matter which she would not give gratuitously.
Hunt had been much too busy at the time when Hurley began to withdraw
from Betty’s companionship to notice the gradual drifting apart of the
two. When the brother awoke to the fact that his friend and his sister
seemed to be mere acquaintances again, Betty had found a close companion
in Nell Blossom.
Under certain circumstances this latter fact might have encouraged Hunt
to consider his own influence with Nell as increasing; but by this time
he had gained more than a casual acquaintance with the cabaret singer’s
character. Joe Hurley had not written too strongly about Nell’s
stubbornness. Hunt had undertaken in several ways to break down the wall
the girl had raised between them. She fought him off with all the vigor
of a wildcat and without much more politeness than one of those felines
would have shown.
Public-domain text, read in full here on John Shaqi.
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