Was there ever a more pathetic puppet show?
Enough remained of Queen Elizabeth for a clever restorer to give us a
new idea of her. There she stands covered in jewels, holding her
sceptre, her rich, red, velvet gown falling to a pair of surprisingly
adequate brocade shoes. But this is not the imperious queen we know,
this is not Gloriana, who could put on a Tower of London expression
and whip men with her tongue. This is a sad old woman. She has
uncanny, unhappy eyes; such a lonely face.
William and Mary, who attract every Dutch visitor to London, are a
heavy, homely couple. She wears purple velvet over a brocaded skirt,
and he was so small that some thoughtful person mounted him on a
footstool so that he might match his tall wife. Queen Anne is also
on view, but she, too, is rather heavy and homely. Those are the
royalties.
In a corner is Frances, Duchess of Richmond, who is said to have been
the Britannia of the coinage. Just think of this! Frances Teresa
Stewart in wax looking across at a waxen Charles II! What irony!
She, you remember, was the lady Pepys thought so lovely; and he had a
good eye. What scandal a wax figure can recall. "La Belle Stewart"
never cared for chatter, however, and you can imagine how Charles
looked when he learned that the beautiful scandalous creature, who
might have been Queen of England, had eloped one night from Whitehall
with the Duke of Richmond. It must have been a bad day for everybody
in St. James's Palace. The cook, I should think, was certainly
sacked.
In the next case is Katherine, Duchess of Buckingham, who on her
death-bed developed an enthusiasm for her funeral. She had
previously arranged it in detail with the Garter King-of-Arms, and
she lay there worrying if the trappings would be all right, and
fearing to die before the undertakers sent the canopy for her
approval.
"Why don't they send it," she cried, "even though all the tassels are
not finished?"
Poor lady! Her pomp is ended, and her brocaded robes sadly in need
of the dry-cleaner.
Nelson is there, modelled shortly after death, wearing his uniform,
his neat, thin legs in white kerseymere breeches and silk stockings,
and the Government "hat tax" stamp still to be seen inside his hat.
Full of human interest they are, but Charles is the gem. Time has
been unkind to the fine point lace at his neck and at his wrists. It
is almost black. His jaunty hat, with its drooping ostrich plumes,
would disgrace a brawl; yet I defy you to laugh at him. His Majesty
looks at you from the dust of centuries, and you are inclined to hate
the people who have written their names with diamonds on the plate
glass, including the author of that famous quatrain which ends:
He never said a foolish thing,
Nor ever did a wise one.
Public-domain text, read in full here on John Shaqi.
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