If only the Chancellor of the Exchequer would lend it to me for a
week!
* * *
How much easier money is to make than to earn!
The first stage in the life of a half-crown is a hot foundry where
men melt down bars of silver in crucibles. These crucibles lie in
gas furnaces that roar like hungry lions and give out a beautiful
orange flame ending in a fringe of apple-green light. An overhead
crane runs along, picks a red-hot crucible from the furnace, and
carries it to a place where a series of long moulds are waiting. The
silver is poured, spluttering and blazing, into these moulds, and the
result is a number of long, narrow silver bars, which are passed
through runners till the five-foot strip of silver is the exact
thinness of a half-crown.
These strips are then passed through machines which punch out silver
discs with remarkable speed. The next machine gives these plain
silver discs a raised edge, and the next--the machine worth
having--puts the King's head on them, mills their edges, and turns
them out into the world to tempt mankind.
* * *
While I was in the stamping-room of the Mint all the machines were
working full blast, except one which looked like a rich relation and
had become muscle bound. In one corner they were making East African
shillings by the hundred thousand, in another they were turning out
West African currency. The men had as much as they could do to keep
pace with them. No sooner had they carried away a trough full of
money, with the blasé air such an occupation induces, than a second
pile was lying there on the floor like a miser's hoard.
I saw enough African money made in half an hour to buy elephants,
thousands of wives, guns, horses, buffaloes, and a throne or two.
The raw material of a sultanate fell out on the floor of the Mint
before luncheon-time.
I could not, however, get worked up on African money. My first
bucketful of sixpences gave me a much greater thrill. There must
have been at least three thousand of them lying in bran. In the
shilling department they were turning out a good line in high-class
shillings, and the half-crown corner became positively thrilling.
"Where's the gold?" I said, feeling slightly heady.
"Ah, where?" replied my guide.
"America?" I suggested.
"Ah--um," he said reflectively.
Leading from the stamping-rooms are rooms where silver is polished,
but more interesting is the room in which its sound is tested. I
have often heard money talk, but I had never heard it sing before.
How it sings!
Men sit at little tables picking up half-crowns and dashing them
against a steel boss, with the result that the air is full of
something quite like bird song; only much more interesting. It would
surprise you to see how slight a defect disqualifies a coin. The
smallest irregularity in its ring, and, flip! it is lying in the
"rejected" basket.
I half hoped they allowed staff and visitors to have these throw-outs
at bargain prices; but there was nothing doing.
* * *
Public-domain text, read in full here on John Shaqi.
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