When the new tradition is established, and travellers become aware that we regard knowledge of Natural Beauty as within the scope of our activities, the error into which I fell will be avoided. We shall think travellers barbaric if they continue to concern themselves with all else about the face of the Earth except its Beauty. We shall no longer tolerate a geographer who will learn everything about the utility of a region for military, political, and commercial purposes, but who will take no trouble to see the beauty it contains. We shall expect a much higher standard of him. We shall expect him to cultivate the power of the eye till he has a true eye for country--a seeing eye; an eye that can see into the very heart and, through all the thronging details, single out the one essential quality; an eye which can not only observe but can make discoveries. We shall require him to have the capacity for discriminating the essential from the unessential, for bringing that essential into proper relief and placing upon it the due emphasis. When he thus has true vision and can really see a country, and when he has acquired the capacity for expressing either in words or in painting what lie has seen, so that he can communicate it to us, then he will have reached the standard which this Society should demand. And this is nothing less than saying that we expect of him that he should have in him something of the poet and the painter. Careless snap-shotting in the field and idle turning on of lantern slides at our meetings will no longer satisfy us. A traveller if he is going to photograph must spend the hours which a real artist would devote to discovering the essential beauty of a scene, and to composing his picture before he dreams of exposing his plate. But we want more than photographs: we want pictures to give that important element in Natural Beauty--the colour. And we want pictures painted in words as well as on canvas. Not shallow rhapsodising of the journalese and guide-book type, but true expression in which each noun exactly fits the object, each epithet is truly applicable, and each phrase is rightly turned, and in which the emphasis is placed on the precisely right point, and the whole composed so as distinctly to bring out that point.