The Heart of Nature; or, The Quest for Natural BeautyYounghusband, Francis Edward, Sir
Philosophy
The Heart of Nature; or, The Quest for Natural Beauty
Younghusband, Francis Edward, Sir
Himalaya Mountains -- Description and travel; Natural history -- Himalaya Mountains; Nature (Aesthetics)
Then, almost before we have realised it, the eastward-facing scarps
of the highest peaks are struck with rays of mingled rose and gold,
and gleam like heavenly realms set high above the still
night-enveloped world below. Farther and farther along the line, deep and
deeper down it, the flush extends. The sapphire of the sky slowly
lightens in its hue. The pale yellow of the starlight becomes merged
in the gold of dawn. White billowy mists of most delicate softness
imperceptibly form themselves in the valley depths and float up the
mountain-sides. The deep hum of insect life, the chirping of the
birds, the sounds of men, begin to break the hush of night. The
snows become a delicate pink, the valleys are flooded with purple
light, the sky becomes intensest blue, and the sun at last itself
appears above the mountains, and the ardent life of day vibrates
once more.
In the full glare of day the mountains are not seen at their very best.
The best time of all to see them is in the evening. If we go out a little
from Darjiling into the forest to some secluded spur we can enjoy an
evening of rare felicity. On the edge of the spur the forest is more
open. The ground is covered with grass and flowers and plants with
many-coloured leaves. Rich orchids and tender ferns and pendant
mosses clothe the trees. Graceful vines and creepers festoon
themselves from bough to bough. The air is fragrant with the scent
of flowers. Bright butterflies flutter noiselessly about. The soft purr
of forest life drones around. Rays from the setting sun slant across
the scene. The leaves in their freshest green and of every shade
glitter like emeralds in the brilliant light.
Through the trunks of the stately trees and under their overarching
boughs we look out towards the snowy mountains. We look over the
brink of the spur, down into the deeps of the valleys richly filled
with tropical vegetation, their eastward-facing sides now of purplest
purple, their westward-facing slopes radiant in the evening sunshine,
with the full richness of their foliage shown up by the dazzling light.
Far below we see the silver streak of some foaming river, and then
as we raise our eyes we mark ridge rising behind ridge, higher and
higher and each of a deeper shade of purple than the one in front.
The lower are still clothed in forest, but the green has been merged
in the deep purple of the atmosphere. The higher are bare rock till
the snow appears. But just across them floats a long level wisp of
fleecy cloud, and apparently the limits of earth have been reached
and sky has begun. We would rest content with that. But our eyes
are drawn higher still. And high above the cloud, and rendered
inconceivably higher by its presence, emerges the snowy summit of
Kinchinjunga, serene and calm and flushed with the rose of the
setting sun. As a background is a sky of the clearest, bluest blue.
Public-domain text, read in full here on John Shaqi.
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