Doune Castle guarded another road into the Highlands by way of Callander. In the ’45, as Captain Waverley found, it was held by the Jacobites to secure their passage of the Teith, and seems to have been the only spot in which they heard the mouse squeak rather than the lark sing. For a time it had for commander that “Black Knee” nephew of Rob Roy, who earned golden opinions in the neighbourhood by the considerate way in which he exercised his authority, not allowing dubious auxiliaries like Donald Bean Lean to have their will of the poor country-folk’s cattle and chickens. Even then it was in no case to stand a hot siege; and Scott found it “a noble ruin, dear to my recollections from associations which have been long and painfully broken.” It once made a stronghold for royal blood, the Dukes of Albany and the “bonnie Earls of Moray,” none of them so well remembered as the boy who came to dream among their memorials, and to retrace on pony-back the ways of audacious caterans and adventurous knights. Well-known was all this country to young Walter Scott, when he spent long holidays at Cambusmore and other friendly mansions hereabout, his hosts as little thinking as himself how this idle callant was one day to increase the value of property in Menteith. Indeed, it is extraordinary how much at home he shows himself in most parts of Perthshire, so far from his native eyry. Through that heart of Scotland as we wandered together, the tales by which I have tried to cheer the reader’s way are mostly to be found transfused into his romances or tacked on them as illustrations in his lively introductions and notes. If I have forborne to repeat hackneyed epithets about the scenery of this region, it is because I take for granted that its features are familiar in Scott’s verse, which, let certain critics shut their ears as they will, still plays to general admiration the drum and trumpet part in the orchestra of British poets, not without interludes of sweeter strain that will be remembered long after more elaborate compositions have been whistled down the winds of fame. We all know where to look for descriptions of Perthshire scenery; and I am the less bound to labour on word-painting, since in my case it may be hoped, after the words of another poet, that “the pictures for the page atone.” The artist here has done his part for both of us. The author modestly presents himself, rather, as a gossiping companion to the guide-book, which, in its up-to-date form, dwells more on details of useful information, and has less room for giving strangers some notion what life was in this region before its flush of romance had died away like an Alpine glow.