The White Sulphur Spring Hotel is three-quarters of a mile from the village. It was by the stage line that we approached it in the summer of 1882. The mail-bags had been flung down to the good-natured-looking post-master, and several passengers distributed at the hotels on the village street, when we turned down a hill toward Richland creek, first passing several plain dwellings and two churches. One of the churches (the Episcopal) is a well-built little house of worship. The creek must be forded, and then follows a delightful stretch of road along its banks, until, after swinging around several corners, rattling over rivulet bridges, speeding by a house or two on knolls in fields, we passed through a frame gate into the grounds of the Sulphur Spring. The grounds are naturally adapted for a summer resort. A grand forest, principally of oaks, covers about eight acres of level ground, through which, with green sward on either hand, winds the road toward the hotel. The hotel is a large farmhouse, remodeled and added to until its original proportions and design are lost. Near it, at the foot of a low wooded hill, is a line of cottages connected with the main structure simply by a graveled walk, which also leads to the sulphur spring bubbling up in a stone basin within a small summer-house. There is a comfortable, healthy air about the hotel and its surroundings. Close in the rear of the resort buildings rises a line of mountains, lofty in height, but forming only the foot-hills to the Junaluska group. The highest pinnacle of the foot-hill range is Mount Maria, so named in honor of the wife of Major W. W. Stringfield, the proprietor of the Spring property. From the wide porches of the hotel sublime mountain prospects can be obtained. A smooth, cultivated valley, a mile or more in length, by a half-mile wide, fills the foreground to these views. Some portions of it are covered with corn, and in the meadows are generally grazing a hundred head of cattle. A pleasant pastoral air pervades this foreground picture set in the emerald frame of the forests. And then in the distance is discerned the green front of Mount Serbal, and beyond it the black summits of the Richland Balsam mountains. Just across the creek, which flows outside the grounds, lies the prepared railroad bed. It is only a minute’s walk from it to the hotel. Of all country roads for quiet rambles or delightful horseback rides, there are none in the mountains to excel the one up Richland creek, from the White Sulphur Spring, to the base of Old Bald. The forests all along the stream are cool and refreshing. Where the road comes down to its fords under the concealing chestnuts and oaks, long foot-logs reach from bank to bank. The old mill at one of these fords presents a picture for the artist--the brilliant beech that rustles around it; the crystal race; the roar in the flume; the piles of old logs and scattered timber; and the open, dingy front of the structure itself.