The Heart of the Alleghanies; or, Western North CarolinaZeigler, Wilbur Gleason
History
The Heart of the Alleghanies; or, Western North Carolina
Zeigler, Wilbur Gleason
Allegheny Mountains; North Carolina -- Description and travel
A few seconds after, the host and hostess were ready to receive company,
and a blazing pine fire illuminated a room 20 × 25 feet in dimensions.
The beds were one side and the frowsy heads of eight children stuck with
wondering faces out from the torn covers. Two tables and a few chairs
were on the middle floor, and numerous garments and household articles
hung on the walls. The light from the great, gaping fire-place, in one
end of the room, showed the party off to advantage. The girls were
attired in their best garments; some of light yellow, though blue
dresses preponderated. The characters of most interest to all present
were two good-natured-looking young men dressed in “biled” shirts, green
neckties, “store-boughten” coats, and homespun pantaloons. With
self-important airs they accepted and immediately covered two chairs
before the blazing hearth. One of the twain had a home-made banjo on his
knee; the other, a violin. The necessary scraping and twanging to get
the instruments in tune took place; and then the older musician
announced that the ball was open.
“Trot out yer gals,” said he; “There mustn’t be enny hangin’ back while
these ’ere cat-gut strings last. Git up an’ shine!”
After some hesitation four couples stepped into the center of the floor,
forming two sets. Each one separated from and stood facing his partner.
Then the music struck up, and such music! The tune was one of the
liveliest jigs imaginable, and the musicians sang as they played. The
dancers courtesied and then began a singular dance. There was no calling
off; it was simply a jig on the part of each performer. The girls danced
with arms akimbo, reeling sideways one way, and then sideways the other.
Their partners, with slouched hats still on their heads, hair swinging
loosely, every muscle in motion and all in time with the music, careered
around in like manner. The rest of the party stood silent and interested
looking on; and on the whole scene blazed the pine knots.
At intervals, parties of two, three, or more, of the men slipped out of
the door, then in a few minutes returned, apparently refreshed by a
draught of the night air, or something else. After the finish of one of
the dances, in which we strangers engaged, a fierce-mustached
mountaineer tapped me on the shoulder, whispering as he did so: “Come
outside a minnit.”
I hesitated for a moment, hardly knowing whether I would better follow
or not; then I stepped after him. As the light shone through the open
door, I saw that three men were outside with him. The door shut behind
me. It was intensely dark, every star was blotted out, and a damp,
chilly wind was sweeping down the mountain. We walked a few steps from
the house.
“What do you want?” I asked in an apprehensive tone.
Public-domain text, read in full here on John Shaqi.
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