He beat her to the rock by merely a few seconds; but he was fairly
spent. His fingers bled where he had dug them into the sand; the sweat
rolled down his face; and exhaustion bound him as with bands of iron.
Yet he was able to reach for the gun, and clutch it; and with a final
effort that seemed to tear the heart from his breast, he dragged the
weapon under him, pressed the muzzle upward, pulled the trigger, at
the very instant that Marion threw herself upon him.
There was a muffled report, the fumes stung their eyes and nostrils,
and for a moment both lay still. Then Marion felt a movement under
her, and guessed that Haig was fumbling with the revolver. An
indescribable energy seized her, something tigerish in its fury, and
beyond her own proper powers, so that she flung him over on his back
as if he had been a child in strength and size. With both hands she
gripped the wrist below the clutched revolver, and while she held it
away from his body she drew her own body over his, and threw herself
on his extended arm, between his hand and his breast.
There was a savage struggle still, the man affirming his right to die,
and the woman denying it. But the issue could not be long in doubt;
for Haig's strength was at the ebb, while Marion's flowed in from
earth and air and sky, from the future and from the past. And she wore
him down at last, until the revolver dropped from his grasp, his
eyelids closed, his limbs relaxed, and he lay still. Waiting a moment
for certainty, she cautiously loosened one of her hands from his
wrist, and grabbed the revolver, and flung it with all her might.
Then, seeing it land twenty feet away on the grass, she rolled away
from him, and sat up panting, hollow-eyed, disheveled, and trembling
on the verge of a collapse.
For some seconds there was no sound but their labored breathing; and
not until Haig opened his eyes and looked at her, with a hunted,
baffled, and still defiant expression in their somber depths, did
Marion break down. Then suddenly, after a premonitory quivering of her
chin, she buried her face in her hands, and wept without more effort
at restraint, in utter abandonment to her agony. Haig watched, at
first in anger, and then in some confusion of emotions. Once before he
had looked upon her thus bowed and shaken; and now as then he felt a
strange upheaval, and an unfathomable sensation that had no likeness
to anything he had ever before experienced. He wanted very much to
speak to her, but could not trust himself; and after all, what was
there to be said?
It was she who rescued him from irresolution. She dropped her hands
from her face, and cried out in a voice that was broken with sobbing:
"Why, Philip, why did you do that?"
"Why?" he asked, in something like amazement.
"Yes."
"I've already told you why."
"But--no--you haven't told me!"
"It was to save you--for one thing."
"To save me?"
"I told you that your only chance is to go at once."
"But I told you I wouldn't go!"
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account