He pointed toward the larger of the two cottages. With Hillyer and Smythe silently following, she ran to the cottage, and through the open door. There she found herself in a bare, uncarpeted room, furnished only with two chairs and a table. On the table lay a faded and battered gray hat. For an instant her gaze rested on it, and a lump rose in her throat. But she resolutely turned away, tightening her lips. There were two inner doors, one of which, ajar, revealed a glimpse of brightly polished pans hanging on the wall. The other door was closed. After an instant of hesitation, she walked straight toward it. "Marion!" called Hillyer warningly. She did not heed him, but turned the knob, softly opened the door, and with Robert and Smythe at her heels, stepped into a dimly lighted room where the aroma of a pine log blazing in the fireplace mingled with the pungent odor of ammonia. Smythe was quick to observe, over Marion's shoulder, that the room was a sort of library and bedroom combined, carpeted in dark red, the walls papered in red also, and the windows curtained with heavy tapestry silk of the same rich hue. There were low bookcases on two sides of the room, with pictures above them; several marble statuettes on the bookcases; and a little jade Buddha beside a two-foot bronze god of terrifying aspect on the mantelpiece. In the middle of the apartment stood a solid library table, of which the cover was a curious strip of faded yellow silk embroidered with a dragon in green, a fragment of an old Chinese banner. At the left of the door, its head against the wall, was a brass bed in which a figure moved restlessly under the covers. Near the head of the bed, on the side nearest the door, stood the Indian, his stolid, bronzed face turned toward Marion as she entered. On the other side, holding one of Haig's hands, knelt Slim Jim in his blue silks, his yellowish face as expressionless as Pete's, except for an alert and questioning look in his eyes. There was no sound except the low crackling of the fire, and the rasp of heavy breathing, with sharp catches in it that spoke eloquently of pain. Marion stepped to Pete's side, and looked down into the face of Philip Haig. In the dim light it had the pallor of death, with the parted lips and the staring eyes of the dead, or the dying. But he breathed; and presently her steady, searching, pitying gaze brought his eyes to meet her own, and she saw that they were living eyes, though clouded and darkened with agony. Almost was she on her knees, weeping over him, regardless of those in the doorway watching her. And it was not their presence so much as the necessity for action that restrained and steadied her. She did not even speak his name; but after her one long look, she turned away, and with every outward sign of calm, removed her gloves and hat and coat, and placed them on a chair in a corner of the room. Then she beckoned to Pete, who followed her, with Smythe and Hillyer, into the bare outer room.