The Heart's Highway: A Romance of Virginia in the Seventeenth CenturyFreeman, Mary Eleanor Wilkins
History
The Heart's Highway: A Romance of Virginia in the Seventeenth Century
Freeman, Mary Eleanor Wilkins
Virginia -- History -- Colonial period, ca. 1600-1775 -- Fiction
It was no slight task for even a hundred to cut such a wealth of
tobacco as Major Robert Beverly had planted, work as fast as they
might, and proceed over the fields in a fierce crawl of destruction,
like an army of locusts, and finally they begun to wax impatient.
And finally up rose that termagant, Mistress Longman, straightening
her back with a spring as if it were whalebone, showing us her face
shameless with rage, and stained green with tobacco juice, and here
and there red with blood, for she had slashed ruthlessly. She flung
back her coarse tangle of hair, threw up her arms with a wild
hurrahing motion, and screamed out in such a volume of shrillness
that she overcapped all the rest of the tumult:
"To the stables, to the stables! Let out Major Beverly's horses, and
let them trample down the tobacco."
Then such a cry echoed her that I trow it might have proceeded from
a thousand throats instead of one hundred odd, and in spite of all
that Captain Jaynes could do, seconded by some few of us gentlemen
who rallied about him, but were helpless since we could not fire
upon our coadjutors, that mob swept into Beverly's stables, and
presently out leapt, plunging with terror, all his fine
thoroughbreds, the mob riding them about the fields in wild career.
And one of the maddest of the riders, sitting astride and flogging
her steed with a locust branch, was Mistress Longman, while her
husband vainly fled after her, beseeching her to stop, and those
around were roaring with laughter.
Then some must let out the major's hogs, and they came rooting and
tumbling with unwieldy gambols. And with this wild troop of animals,
and the mob shrieking in a frenzy of delight, and now and then a
woman in terror before the onslaught of a galloping horse, and now
and then a whole group of cutters overset by a charging hog, and up
and after him, and slaying him, and his squeals of agony, verily I
had preferred a battlefield of a different sort. And all this time
Major Robert Beverly's house stood still in the moonlight, and not a
noise from the slave quarters, and the fields were all in a pumice
of wasted plant life, and we were about to go farther when I heard
again the cry of the little child coming from a chamber window. I
trow they had given her some quieting potion or she had broken
silence before.
With all our efforts the mob could not be persuaded to return Major
Beverly's horses to his stables, which circumstance was afterward to
the saving of his neck, since it was argued that he would not have
abetted the using of his fine stud in such wise, some of the horses
being recovered and some being lamed and cut.
So out of the Beverly plantation we swept; those on horseback at a
gallop and those on foot tramping after, and above the tumult came
that farthest-reaching cry of the world--the cry of a little
child frantic with terror.
Public-domain text, read in full here on John Shaqi.
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