The Heart's Highway: A Romance of Virginia in the Seventeenth CenturyFreeman, Mary Eleanor Wilkins
History
The Heart's Highway: A Romance of Virginia in the Seventeenth Century
Freeman, Mary Eleanor Wilkins
Virginia -- History -- Colonial period, ca. 1600-1775 -- Fiction
Then ten fiddlers played for a prize, and while they played, the
people gathered around me again, for races more than music have the
ability to divert the minds of English folk; but they left me again,
when there was a wrestling for a pair of silver knee-buckles. I
remember to this day with a curious dizziness of recollection, the
straining of those two stout wrestlers over the field, each forcing
the other with all his might, and each scarce yielding a foot, and
finally ending the strife in the same spot as where begun. I can see
now those knotted arms and writhing necks of strength, and hear
those quick pants of breath, and again it seems as then, a picture
passing before my awful reality of shame. Then two young men danced
for a pair of shoes, and the crowd gathered around them, and I was
quite deserted, and could scarcely see for the throng the rhythmic
flings of heels and tosses of heads. But when that sport was over,
and the winner dancing merrily away in his new shoes, the crowd
gathered about me again, and in spite of my brother, clods of mud
began to fly, and urchins to tweak at my two extended feet.
Then that happened, which verily never happened before nor since in
Virginia, and can never happen again, because a maid like Mary
Cavendish can never live again.
Slow pacing into the New Field in that same blue and silver gown
which she had worn to the governor's ball, with a wonderful plumed
hat on her head, and no mask, and her golden hair flowing free,
behind her Catherine and Cicely Hyde, like two bridesmaids, came my
love, Mary Cavendish.
And while I shrank back, thinking that here was the worst sting of
all, like the sting of death, that she should see me thus, straight
up to the stocks she came, and gathering her blue and silver gown
about her, made her way in to my side, and sat there, thrusting her
two tiny feet, in their dainty shoes, through the apertures next
mine, for the stocks were made to accommodate two criminals.
And then I looked at her, and would have besought her to go, but the
words died on my lips, for in that minute I knew what love was, and
how it could triumph over, not only the tragedy, but that which is
more cruel, the comedy of life. Surely no face of woman was ever
like Mary Cavendish's, as she sat there beside me, with such an
exaltation of love, which made it like the face of an angel. Not one
word she said, but looked at me, and I knew that after that she was
mine forever, in spite of my love, which would fain shield her from
me lest I be for her harm, and I realised that love, when it is at
its best, is past the consideration of any harm, being sufficient
unto itself for its own bliss and glory.
But presently, I, looking at her, felt my strength failing me again,
and her face grew dim, and she drew my head to her shoulder and sat
so facing the multitude, and such a shout went up as never was.
Public-domain text, read in full here on John Shaqi.
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