The Heart's Highway: A Romance of Virginia in the Seventeenth CenturyFreeman, Mary Eleanor Wilkins
History
The Heart's Highway: A Romance of Virginia in the Seventeenth Century
Freeman, Mary Eleanor Wilkins
Virginia -- History -- Colonial period, ca. 1600-1775 -- Fiction
And I knew well the reason, for not many rods distant was the
hut where dwelt one Margery Key, an ancient woman, who had been
verily tied crosswise and thrown in a pond for witchcraft and been
weighed against the church Bible, and had her body searched for
witch-marks and the thatch of her house burned. I know not why she
had not come to the stake withal, but instead she had fled to
Virginia, where, witches being not so common, were treated with more
leniency. It may have been that she had escaped the usual fate of
those of her kind by being considered by some a white witch, and one
who worked good instead of ill if approached rightly, though many
considered that they who approached a white witch for the purpose of
profiting by her advice or warning, were of equal guilt, and that it
all led in the end to mischief. Be that as it may, this old dame
Margery Key dwelt there alone in her little hut so over-thatched and
grown by vines, and scarce showing the shaggy slant of its roof
above the bushes, that it resembled more the hole of some timid and
wary animal than a human habitation. And if any visited her for
consultation it was by night and secretly, and no one ever caught
sight of her except now and then the nodding white frill of her cap
in the green gloom of a window or the painful bend of her old back
as she gathered sticks for her fire in the woods about. How she
lived none knew. A little garden-patch she had, and a hive or two of
bees, and a red cow, which many affirmed to have the eye of a demon,
and there were those who said that her familiars stole bread for her
from the plantation larders, and that often a prime ham was missed
and a cut of venison, with no explanation, but who can say? Without
doubt there are strange things in the earth, but we are all so in
the midst of them, and even a part of their workings, that we can
have no outside foothold to take fair sight thereof. Verily a man
might as well strive to lift himself by his boot-straps over a
stile.
Public-domain text, read in full here on John Shaqi.
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