Major Guthrie Brimston surprised Evadne more, perhaps, than his wife did.
She began by overlooking the little man somehow without the least
intending it, and as he seemed to himself to fill the horizon when in
society and block out all view of anybody else, he could only believe that
she did it on purpose.
He was by way of being an amateur actor, a low comedy man; but he was not
sincere enough to personate any character, or be anything either on the
stage or off it but his own small inartistic self; and no amount of
bawling could make him an actor, though he bawled himself hoarse as a
rule, mistaking sound for the science of expression. Still, it was the
fashion to consider him funny. People called him "Grigsby" and
"Kickleberry Brown," and laughed when he twiddled his thumbs. He was
forever buffooning, and if he sat on a high stool with his toes just
touching the floor, his head on one side, a sad expression of countenance,
and the tips of his fingers touching, he was supposed to be doing
something amusing, and the effort would be rewarded with laughter, in
which, however, Evadne could not join. These performances outraged her
sense of the dignity of poor human nature, which it is easy enough to
discount, but very difficult to maintain; and made her sorry for him.
His hands were another offence to her. They were fat and podgy, with short
pointed fingers, indicative of animalism and ill-nature, the opposite of
all that is refined and beautiful--truly of necessity an offence to her.
It was at first that she had overlooked him, but after a time, when she
began to know him better, the little, fat, funny man magnetized her
attention. She could not help gravely considering him wherever she met
him, and wondering about him--wondering about them both in fact. She
wondered, for one thing, why they were so fond of eating and drinking, her
own taste in those matters being of the simplest description.
"I never deny myself anything," said Mrs. Guthrie Brimston. And she looked
like it.
Evadne wondered also at their meanness, when she saw them saving money by
borrowing the carriages of people whom she had heard them class as
"Nothing but shopkeepers, you know. We shouldn't speak to them anywhere
else." And whom they ridiculed habitually for the mispronunciation of
words, and for accents unmistakably provincial.
Public-domain text, read in full here on John Shaqi.
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