A girl came riding past alone on a hired horse. She wore a rusty black
skirt over her petticoats. It was gathered in by a drawing string at the
waist, and made her look ludicrously bunchy. Her stirrup was too short;
and she clung desperately with both hands to whip and reins and saddle,
only venturing to guide her horse now and then-in a timid, half apologetic
sort of way, as if she were afraid he would resent it. She must have felt
far from comfortable, but probably the dream of her life had been to ride,
and now that she was riding she admired herself extremely.
Edith involuntarily drew a mental picture of the contrast she herself
presented on horseback. "But that girl is well and happy," she objected,
to her own disadvantage.
She became aware at this moment of another girl who was passing on foot.
She was one of those good-looking girls of the middle class who throng to
fashionable watering-places in the season--young women with senses
rampant, and minds undisciplined, impelled by natural instinct to find a
mate, and practising every little art of dress and manner which they
imagine will help them to that end by making them attractive. Their object
is always evident in their eyes, which rove from man to man pathetically,
pleadingly, anxiously, mischievously, according to their temperaments, but
always with the same inquiry: "Will it be you?"
This girl had made herself by tight-lacing into a notable specimen of the
peg-top figure, bulgy at the bust and shoulders, and tapering off at the
waist. She had also squeezed her feet into boots that were much too small
for them, and fluffed her hair out till her head seemed preposterously
large--by which means she had achieved the appearance known to her set as
"stylish."
When Edith first saw her she was walking along very quickly with a
dissatisfied look on her face; but as she approached the window she
glanced up, and, seeing Menteith, her countenance cleared; and she
slackened her speed, seeming suddenly to become uncertain of the direction
she wished to take. First, she half stopped, and appeared to be thinking;
then she hastily put her hand in her pocket, and looked back the way she
had come, as if she had lost something; then shrugged her shoulders to
signify that it didn't much matter, and with a far-away look in her eyes
walked slowly into the sea; this was in order that she might spring nimbly
out again with a fine pretence of confusion at her affected fit of
absent-mindedness.
Public-domain text, read in full here on John Shaqi.
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