The Hedge School; The Midnight Mass; The Donagh: Traits And Stories Of The Irish Peasantry, The Works of; William Carleton, Volume ThreeCarleton, William
History
The Hedge School; The Midnight Mass; The Donagh: Traits And Stories Of The Irish Peasantry, The Works of; William Carleton, Volume Three
Carleton, William
Ireland -- Social life and customs -- Fiction
The eulogium of the pilgrim, who was, in truth, much attached to Mike,
moved the heart of the affectionate girl, whose love and sympathy were
pure as the dew on the grass-blade, and now as easily affected by the
slightest touch. She remained silent for a time, but secretly glided
her hand towards that of her lover, which she clasped in hers, and by a
gentle and timid pressure, strove to intimate to him that she was beside
him. Long, but unavailing, was the struggle to repress her sorrow; her
bosom heaved; she gave two or three loud sobs, and burst into tears and
lamentations.
“Don't cry, avourneen,” whispered Darby--“Don't cry; I'll warrant you
that Darby More will ate share of your weddin' dinner an' his, yit.
There's a small taste of color comin' to his face, which, I think,
undher God, is owin' to my touchin' him wid the cruciwhix. Don't cry, a
colleen, he'll get over it an' more than it, yit, a colleen bawn!”
Darby then hurried her into the room where Mike's mother and sisters
were. On entering she threw herself into the arms of the former, laid
her face on her bosom, and wept bitterly. This renewed the mother's
grief: she clasped the interesting girl in a sorrowful embrace; so did
his sisters. They threw themselves into each other's arms, and poured
forth those touching, but wild bursts of pathetic language, which are
always heard when the heart is struck by some desolating calamity.
“Husht!” said a neighboring man who was present; “husht! it's a shame
for yez, an' the boy not dead yit.”
“I'm not ashamed,” said Peggy: “why should I be ashamed of bein' sarry
for the likes of Mike Reillaghan? Where was his aquil? Wasn't all hearts
upon him? Didn't the very poor on the road bless him whin he passed?
Who ever had a bad word agin him, but the villain that murdhered him?
Murdhered him! Heaven above! an' why? For my sake! For my sake the pride
of the parish is laid low! Ashamed! Is it for cryin' for my betrothed
husband, that was sworn to me, an' I to him, before the eye of God
above us? This day week I was to be his bride; an' now--now--Oh, Vread
Reillaghan, take me to you! Let me go to his mother! My heart's broke,
Vread Reillaghan! Let me go to her: nobody's grief for him is like ours.
You're his mother, an' I'm his wife in the sight o' God. Proud was I out
of him: my eyes brightened when they seen him, an' my heart got light
when I heard his voice; an' now, what's afore me?--what's afore me but
sorrowful days an' a broken heart!”
Mrs. Reillaghan placed her tenderly and affectionately beside her, on
the bed whereon she herself sat. With the corner of her handkerchief she
wiped the tears from the weeping girl, although her own flowed fast.
Her daughters, also, gathered about her, and in language of the most
endearing kind, endeavored to soothe and console her.
Public-domain text, read in full here on John Shaqi.
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