The Hedge School; The Midnight Mass; The Donagh: Traits And Stories Of The Irish Peasantry, The Works of; William Carleton, Volume ThreeCarleton, William
History
The Hedge School; The Midnight Mass; The Donagh: Traits And Stories Of The Irish Peasantry, The Works of; William Carleton, Volume Three
Carleton, William
Ireland -- Social life and customs -- Fiction
The curate proceeded: “Let him now who is guilty depart; or if he
wishes, advance and challenge the awful penalty annexed to perjury upon
this! Who has ever been known to swear falsely upon the Donagh, without
being visited by a tremendous punishment, either on the spot, or in
twenty-four hours after his perjury? If we ourselves have not seen such
instances with our own eyes, it is because none liveth who dare incur
such dreadful penalty; but we have heard of those who did, and of
their awful punishment afterwards. Sudden death, madness, paralysis,
self-destruction, or the murder of some one dear to them, are the marks
by which perjury upon the Donagh is known and visited. Advance, now, ye
who are innocent, but let the guilty withdraw; for we do not desire to
witness the terrible vengeance which would attend a false oath upon the
Donagh. Pause, therefore, and be cautious! for if this grievous sin be
committed, a heavy punishment will fall, not only upon you, but upon the
parish in which it occurs!”
The words of the priest sounded to the guilty like the death-sentence
of a judge. Before he had concluded, all, except Meehan and his brother,
and a few who were really innocent, had slunk back out of the circle
into the crowd. Denis, however, became pale as a corpse; and from time
to time wiped the large drops from his haggard brow: even Anthony's
cheek, despite of his natural callousness, was less red; his eyes
became disturbed; but by their influence, he contrived to keep Denis in
sufficient dread, to prevent him from mingling, like the rest, among
the people. The few who remained along with them advanced; and
notwithstanding their innocence, when the Donagh was presented and the
figure of Christ and the Twelve Apostles displayed in the solemn tracery
of its carving, they exhibited symptoms of fear. With trembling hands
they touched the Donagh, and with trembling lips kissed the crucifix,
in attestation of their guiltlessness of the charge with which they had
been accused.
“Anthony and Denis Meehan, come forward,” said the curate, “and declare
your innocence of the crimes with which you are charged by the Cassidys
and others.”
Public-domain text, read in full here on John Shaqi.
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