It is a crystalline afternoon in mid-autumn. Indian summer on the
high plateaus of the continent's crest there is none, but instead,
a breathing space of life-giving days, with the bouquet of fine old
wine in the keen-edged air, and of frosty nights when the stars swing
clear in illimitable space. Positive coloring, other than the sombre
greens of pine and fir, is lacking. The season of bursting buds and
quickening leaf tints is over, and what little deciduous vegetation the
altitude permits is present only in twig traceries and sun-cured range
grass. In the heart of the valley the heights are heavily wooded, and
the sombre greens wall out the world to the sky-line; but farther on
bald slopes and ridges stretch away above the pines and firs, and the
blue arch of the firmament springs clear from snow-capped abutments of
fallow dun and weathered gray.
In the upper levels of the valley the disused trail leaves the stream
and begins to climb by loops and zigzags to the pass. On the reverse
curve of one of the loops--the last but one in the upward path--a
solitary horseman sends his mount recklessly onward, heedless alike
of stones of stumbling and the breath-cutting steepness of the way.
His head is bandaged, and he rides loose in the saddle like a drunken
man, swaying and reeling, but evermore urging the horse by word and
blow and the drumming of unspurred heels. His feet are thrust far into
the stirrups, and at every fresh vantage point he steadies himself by
pommel and cantle to scan the backward windings of the trail. A man
riding desperately for his life and against time, with a handicap of
physical unfitness, one would say; but there would seem to be fierce
determination in the unrelenting onpush, as if wounds and weariness
were as yet no more than spurs to goad and whips to drive.
Public-domain text, read in full here on John Shaqi.
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